Results 11 to 20 of about 193 (121)
São Tiago no azulejo barroco português
Tendo por base uma recolha metódica, mas não exaustiva, das representações em azulejo com iconografia de São Tiago, e evidenciando os ciclos narrativos que caracterizaram o barroco português, o presente artigo começa por propor uma identificação precisa ...
Rosário Salema de Carvalho +1 more
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La extensa trayectoria profesional de Oscar Niemeyer refleja, en su última etapa, una cierta reiteración compositiva que desarrolla la pauta marcada por obras tan emblemáticas como la Iglesia de San Francisco de Asís, proyecto iniciático del arquitecto ...
Irene de la Torre Fornés +2 more
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From the theoretical point-of-view, the azulejo has been studied in Portugal since the second half of the nineteenth century through a perspective that increasingly highlights the idea of originality and, more recently, the identity factor.
Rosário Salema de Carvalho +1 more
doaj +3 more sources
AZULEJO BLUES – AN ANALYTICAL STUDY OF THE BLUE COLOURS IN PORTUGUESE AZULEJOS
10-12 ...
Fares, M +6 more
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Rethinking Frames in Contemporary Azulejo
This essay’s primary objective is to rethink the use of frames in contemporary azulejo by presenting how artists have been approaching this subject, whether to rescind of frames or to use them. In order to achieve this goal we present six case studies, three of which focus on no framing as way to blend azulejo coverings in its urban environment ...
openaire +3 more sources
Decorated glazed ceramic tiles are used as an ornamental art, constituting an important cultural heritage whose preservation is mandatory. Environmental conditions are responsible for the degradation of exposed ancient tile panels originating various pathologies, related to the development of microorganisms.
Teresa P. Silva +4 more
wiley +1 more source
O artigo investiga a obra Celacanto provoca maremoto, realizada entre 2004-2008, por Adriana Varejão (1964) ao lado de questões teóricas abertas pela noção de Pathosformel, cunhada por Aby Warburg (1866-1929), e seus desdobramentos pensados por Georges Didi-Huberman (1953).
Adriel Dalmolin Zortéa, Vera Pugliese
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Azulejos pintados toledanos : colección de la Casa y Museo de El Greco
Se considera como azulejo en sentido estricto a una pieza de barro vidriado de forma cuadrada o rectangular, destinada a revestimientos arquitectónicos. Es esta su finalidad principal aunque no la única sobre todo desde la implantación del azulejo plano ...
María Luisa Menéndez Robles
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Frame simulations in 18th century Azulejos
The present article is the result of an ongoing research project and aims to draw attention to simulated azulejo frames. On the one hand, these decorative elements isolate the compositions, closing them in on themselves. On the other hand, simulated azulejo frames help integrate with the tile decoration they are part of, which in turn is part of a ...
Ana Raquel Machado +1 more
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The Flora of Azulejos in Maranhão, Brazil
The azulejo (tile) styles from the Iberian Peninsula and other regions in the New World are strongly influenced by Muslim aesthetics. Many of the azulejos in Maranhão, Brazil, depict plants and plant parts, but little is known about their species identity.
Leandro Menezes +6 more
openaire +2 more sources

