Results 41 to 50 of about 55,319 (149)

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

Subject-Position and Béla Bartók’s Music for Strings, Percussion, and Celesta (1936) in Stanley Kubrick’s The Shining (1980)

Hungarian Cultural Studies, 2022
Twentieth-century art music composed by Bartók, Ligeti and Penderecki constitutes a large portion of the soundtrack for Stanley Kubrick’s 1980 film adaptation of Stephen King’s novel, The Shining.
Sarah Lucas
doaj   +1 more source

Béla Bartók: The Father of Ethnomusicology

Musical Offerings, 2012
Béla Bartók birthed the field of ethnomusicology as an academic discipline through his tireless pursuits of folk music, his exposition of the sound of the rural people, and his incorporation of folk-style into his own personal compositions.
David Taylor Nelson
doaj   +1 more source

Traces of Anatolian Folk Music in Turkish Contemporary Polyphonic Music: The Symphonic Works of Cengiz Tanç

Konservatoryum, 2021
This study examines the symphonic works of contemporary music composer Cengiz Tanç. Tanç emphasizes the importance of Anatolian Folk Music in the formation of Turkish Contemporary Polyphonic Music in many platforms.
Fatih Akman
doaj   +1 more source

Review of Fosler-Lussier. 2007. Music Divided: Bartók’s Legacy in Cold War Culture. Berkeley and Los Angeles: University of California Press

Current Musicology, 2008
During the Cold War, the ideological split between East and West manifested itself in a stark divide in the critical response to the works of Béla Bartók.
Joshua S. Walden
doaj   +1 more source

THE OLD STYLE SONG IN THE LAND OF THE FORESTERS, HUNEDOARA. MELODIC TYPES WITH REFRAIN RESULTED FROM MELODIC INTERJECTIONS

Studia Universitatis Babeş-Bolyai. Musica, 2021
Old style songs are the most numerous, varied and widespread folk music productions in the entire Romanian territory. Researchers such as Béla Bartók and Emilia Comișel have conducted collections in the Foresters’ Land in Hunedoara County. In the summer
Alina-Lucia STAN
doaj   +1 more source

The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)

Musicologica Austriaca, 2021
Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings) were concert series of the Hrvatski glazbeni zavod (Croatian Music Institute) in Zagreb, organized by the institute's secretary, art historian, and music amateur ...
Nada Bezić
doaj  

SÁNDOR VERESS: FADING INTO OBLIVION

Studia Universitatis Babeş-Bolyai. Musica, 2019
The composers of the 20th century bring several innovations, resulting in a multitude of new musical movements, which will make this period to be the most intense and prolific era in all of music history.
Krisztián KÁLLÓ
doaj   +1 more source

Cântecul propriu-zis din Munții Apuseni: o privire de ansamblu asupra evoluției sale de la începutul secolului XX și până astăzi

Anuarul Arhivei de Folclor
The folk music of the Apuseni Mountains has benefited from the interest of many researchers, most notable being Béla Bartók, Ioan R. Nicola and Ioan Bocșa.
Theodor Constantiniu
doaj   +1 more source

Belá Bartók: A Portrait of His Personality Drawn from His Letters

Current Musicology, 2019
Kevin
Otto Deri, Neal Zaslaw
doaj   +1 more source