Results 21 to 30 of about 117 (109)
The Politics of Seeing Double: Klaus Michael Grüber’s Die Bakchen and the Visual Arts
Arts, 2022 Euripides’ The Bacchae is a Greek tragedy that relies on its capacity to give double vision, by confusing and dismembering the senses. This idea of doubling is taken to the extreme in the Berlin Schaubühne production Die Bakchen, directed by Klaus ...
Irene Gerogianni
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Whatever, 2020 Starting from the definition of “performativity” and “gender parody” developed by Judith Butler, this paper aims to investigate the performative functions of male cross-dressing within the dynamics of social categorization in classical Athens.
Dino Ranieri Scandariato
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IL “TEATRO INTERIORE” DEL TRADUTTORE: EDOARDO SANGUINETI E IL DRAMMA ANTICO
Italiano LinguaDue, 2021 L’attività Sanguineti come traduttore di teatro si contraddistingue per una profonda consapevolezza delle specificità del testo drammatico; in particolare della sua natura di testo orale e della relazione con il primo fruitore (cioè lo spettatore).
Maddalena Giovannelli
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Genealogie della maschilità. Generi e desideri nelle “Baccanti” di Euripide
Whatever, 2019 This article focuses on some of the characters of Euripides' Bacchae using a queer, philologically founded, analisys approach. Our starting hypothesis is that the family relationships between some characters of the tragedy correspond to a symbolic ...
Giuseppe Burgio
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Affirmative Refusals: Reclaiming Political Imagination with Bonnie Honig and Lola Olufemi
Genealogy+Critique, 2022 This article reconstructs Bonnie Honig's A Feminist Theory of Refusal (2021) and brings it into dialogue with Lola Olufemi's Experiments in Imagining Otherwise (2021).
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Il muto profeta delle Muse: testo e scena in Aesch. fr. 60 R.
Lexis, 2021 Among the fragmentary plays of Aeschylus, the Lycurgeia has received particular attention from scholars in all periods, since it has been unanimously recognized as the literary archetype of the Dionysian tetralogy that inspired Euripides’ Bacchae ...
Berardi, Pietro
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Girls (2019) by Branden Jacobs-Jenkins
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2020 Theatre review of Girls (after The Bacchae by Euripides) by Branden Jacobs-Jenkins, directed by Lileana Blain-Cruz and choreographed by Raja Feather Kelly. Yale Repertory Theatre, world premiere, 4-26 October 2019.
Xavier Lemoine
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Les bacchantes d’Euripide et le Roi Roger de Karol Szymanowski
Revue des études slaves, 2013 Poland vanishes from European maps between 1795 and 1918, dismantled by the three powers that occupy its territory. Art assumes then a fundamental role in the preservation of national identity.
Anetta Floirat
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Asparkía, 2014 ResumenEn este trabajo se analiza la relación entre mujeres, animales y sacrificio en Bacantes de Eurípides a través de la animalización de Ágave y el colectivo de ménades, por un lado, y del tratamiento del sacrificio en relación con Penteo, por el otro,
Elsa Rodríguez Cidre
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Phéniciens et Puniques sur la scène tragique et comique, en Grèce et à Rome
Pallas, 2018 On the tragic stage, in Athens, as on the comic stage, in Rome, Phoenicians and Carthaginians play a role which conforms to a great extent to the stereotypes of otherness, but is also more subtle as regards the notion of kinship which makes the portrait ...
Corinne Bonnet
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