Results 31 to 40 of about 117 (109)
THE TYRANT'S VICE: PLEONEXIA AND LAWLESSNESS IN PLATO'S REPUBLIC
, 2019 Philosophical Perspectives, Volume 33, Issue 1, Page 146-169, December 2019.
Karen Margrethe Nielsen
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Tradurre Dioniso. Osservazione a margine di una recente traduzione delle Baccanti
Annali Online dell'Università di Ferrara. Sezione Lettere, 2011 In this paper I discuss the recent edition of Euripides’ Bacchae with introduction, translation and commentary by D. Susanetti (Roma, Carocci, 2010). In particular, through an active reading of this book, I focus on several relevant points, such as the ...
Alessandro Iannucci
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In Defense of Irrationality: A Critique of Richard B. Miller's Why Study Religion
Religious Studies Review, Volume 50, Issue 1, Page 105-112, March 2024.
Melissa Conroy
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Pallas, 2009 The emergence of Ionian physics constitutes to my mind an epistemological break away from the previous world views. The confrontation and dialogue between those forms of thought henceforward remain an irreplaceable heuristic tool, the pertinence of which
Bernard Mezzadri
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Irony and Sarcasm in Ethical Perspective
Open Philosophy, 2020 Irony and sarcasm are two quite different, sometimes morally dubious, linguistic tropes. We can draw a distinction between them if we identify irony as a speech act that calls what is bad good and, correspondingly, sarcasm calls good bad.
Airaksinen Timo
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The Image of the Tiger in Thomas Mann's Tod in Venedig
Studies in 20th & 21st Century Literature, 1978 Mann integrates the image of the tiger (according to Nietzsche a concomitant of the Dionysian) that is associated with Aschenbach into Tod in Venedig , commencing with the poet's anticipatory vision.
Ford P. Parkes
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, 2009 Published as part of MAZáNEK, Libor, VONIČKA, Pavel & PREISLER, JiřÍ, 2009, Syrphidae (Diptera) of the Jizerské hory Mts and Frýdlant region (northern Bohemia, Czech Republic), pp.
MAZáNEK, Libor +2 more
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Sillages Critiques, 2014 This paper scrutinizes the part played by dancing in two plays by Soyinka where such an artistic practice is rather foregrounded. I shall attempt to understand how theatre might be reinforced by dancing, an immediate, a corporeal art, the intrusion of a ...
Kerry-Jane Wallart
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Euripides and Opera from the Baroque Period to the 20th Century
GroundingsThis essay aims to report on any connections between Eurpides' tragedies and opera over its 500 year history. I will begin by laying out the thematic concerns that are central to Euripides’ writing as the summaries his tragedies that have most often ...
Sevrin Draper
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Complicity at a distance: commemorating problematic involvement in perpetration in contemporary Central and Eastern European literatures. [PDF]
Open Res Eur, 2022 Prade-Weiss J.
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