Results 111 to 120 of about 34,737 (172)
, 1995 The language theory of Mikhail Bakhtin does not fall neatly under any single rubric - 'dialogism,' 'marxism,' 'prosaics,' 'authorship' - because the philosophic foundation of his writing rests ambivalently between phenomenology and Marxism. The theoretical tension of these positions creates philosophical impasses in Bakhtin's work, which have been ...
Michael F. Bernard-Donals
openaire +2 more sources
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Bakhtin in Shanghai. ‘Chinese lessons’ for Bakhtin studies
Voprosy literatury, 2019The philosopher M. Bakhtin occupies a unique place in the process of shaping of a new humanistic paradigm. Amid the 1960s crisis in the West, Bakhtin’s key concepts, from ‘carnival’ and ‘polyphony’ to ‘dialogism’, provided a foundation for a common communication code for the humanities, which helped participants of the dialogue to find their mutual ...
openaire +1 more source
Language and Philosophical Anthropology in the Work of Mikhail Bakhtin and the Bakhtin Circle
SSRN Electronic Journal, 2013The Bakhtin Circle’s conception of language is very much still alive, still productive, in the language sciences today. My claim in this paper is that to understand the Bakhtin Circle’s continuing relevance to the language sciences, we have to look beyond the linguistic theory itself, to the philosophical groundwork laid for this project by Bakhtin in ...
openaire +1 more source
Social History, 1988
Jean‐Christophe Agnew, Worlds Apart: the Market and the Theater in Anglo‐American Thought, 1550–1750 (1986), xiv + 261 (Cambridge University Press, Cambridge, £25.00). Michael D. Bristol, Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England (1985), 237 (Methuen, £25.00). Terry Castle, Masquerade and Civilization:
openaire +1 more source
Jean‐Christophe Agnew, Worlds Apart: the Market and the Theater in Anglo‐American Thought, 1550–1750 (1986), xiv + 261 (Cambridge University Press, Cambridge, £25.00). Michael D. Bristol, Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England (1985), 237 (Methuen, £25.00). Terry Castle, Masquerade and Civilization:
openaire +1 more source
New Literary History, 1994
C RITICAL THEORY INSPIRED by Mikhail Bakhtin has rapidly outpaced identification of the historical subject who lived from 1895 to 1975. Carnival, polyphony, and dialogue now produce apprehensions of banality, and topics on the order of "Carnival and Political Conflicts" or "Bakhtin and Punk" appear with alarming frequency in Western cultural debate. In
openaire +1 more source
C RITICAL THEORY INSPIRED by Mikhail Bakhtin has rapidly outpaced identification of the historical subject who lived from 1895 to 1975. Carnival, polyphony, and dialogue now produce apprehensions of banality, and topics on the order of "Carnival and Political Conflicts" or "Bakhtin and Punk" appear with alarming frequency in Western cultural debate. In
openaire +1 more source
Modern Theology, 2002
Book reviewed in this article:Ruth Coates, Christianity in Bakhtin: God and the Exiled ...
openaire +1 more source
Book reviewed in this article:Ruth Coates, Christianity in Bakhtin: God and the Exiled ...
openaire +1 more source