Results 11 to 20 of about 2,802 (142)
Mild generalised hypermobility (Beighton score ≥2) is the most accurate preoperative indicator of intraoperatively-confirmed microinstability in 622 primary hip arthroscopies. [PDF]
J Exp OrthopAbstract Purpose To identify the preoperative diagnostic accuracy of routine hip arthroscopy clinical assessments for intraoperatively confirmed microinstability. Methods Image indices, clinical assessments and operation details from 622 consecutive primary hip arthroscopies undertaken by a single surgeon between January 2018 and December 2020 were ...
Bacon CJ +6 more
europepmc +2 more sources
Relationship of Extrinsic Risk Factors to Lower Extremity Injury in Collegiate Ballet Dancers
Frontiers in Bioengineering and Biotechnology, 2022 Ballet dancers are thought to be at higher risk of lower extremity injury. This objective of this study was to describe the self-reported incidence, location, and factors associated with lower extremity injury in collegiate ballet dancers.
Pi-Yin Huang +5 more
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Recenzja: Jan Ciepliński, Szkic dziejów baletu polskiego (Londyn, 1956)
Pamiętnik Teatralny, 1956 The author discusses Jan Ciepliński’s book Szkic dziejów baletu polskiego [A Draft History of Polish Ballet], which is based on documents passed on to him by Leopold Filatyn and partly published by Henryk Liński in the second volume of the monograph ...
Irena Turska
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Black Dancers and White Ballet: Case of Cuba
Arts, 2023 Throughout the XX century, the hard-fought battle of blacks and dark-skinned dancers to perform the classical repertoire on professional stages (including “white ballets”) was a part of the struggle for citizens’ equality.
Larisa Nikiforova +2 more
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Katarzyna z Fröhlichów Bogusławska
Pamiętnik Teatralny, 2003 The author undertakes to reconstruct the biography of Katarzyna Fröhlich (1811–1886), a graduate of the Warsaw Ballet School, who honed her talent under the tutelage of Julia Mierzyńska at Warsaw’s Teatr Wielki [Grand Theatre].
Halina Waszkiel
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Petersburski benefis Feliksa Krzesińskiego w 1888 roku
Pamiętnik Teatralny, 1995 Based on letters from the Krzesiński family collection held at the Library of the Institute of Art, Polish Academy of Sciences, as well as Russian periodicals and other sources, the author reconstructs the details of jubilee celebrations in honour of the
Joanna Sibilska
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Sukcesy warszawskich tancerzy w Petersburgu w lutym 1851 roku
Pamiętnik Teatralny, 1995 The author turns to an anecdote about Warsaw ballet dancers visiting St Petersburg upon the invitation of the Russian tsar, who was enchanted by the mazurka woven by the choreographer Roman Turczynowicz into a performance of Le Diable à quatre (1847 ...
Janina Pudełek
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Interpretation of Ballet Art Through Screen Directing Means
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2023 The purpose of the article is to carry out a holistic analysis and determine the specifics of directorial means of interpreting ballet art in showing the formation of an artistic personality and delineating scientific guidelines that will contribute to ...
Галина Погребняк
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The Anti-Dance Paradox / O Paradoxo da Anti-Dança
Revista Portuguesa de Educação Artística, 2019 Between provocation and indifference the so-called non-dance has arisen in the Portuguese Terpsicorean landscape as a fait divers that has not always gone well nor has been taken very seriously. Although, strictly speaking, it is not some kind of “line”
António Laginha
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Современные проблемы музыкознания, 2023 Elena Konstantinovna Malinovskaya (1875–1942) played a significant, albeit, at a first glance, not a particularly distinguishable role in the history of the Russian stage.
Petr N. Gordeev
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