Results 1 to 10 of about 363 (161)
At the Origins of an Interrupted Tradition: Methodological Search in Soviet Historical Musicology of the 1920s [PDF]
The article discusses the stage of formation of the musicological research methodology in Russia. Similarly to a significant part of the humanitarian heritage of the 1920s which was persecuted during Stalin’s Great Break, this research tradition was ...
Bukina Tatiana V.
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Folklore Fairy Tale in the First “Russian” Ballet of S. Diaghilev’s Entreprise [PDF]
The article analyzes the assimilation of the Russian folk tale in the ballet “The Firebird” created in 1910 by M. Fokin, I. Stravinsky, A. Golovin for S. Diaghilev’s Russian Seasons. The history of the composition of the ballet demonstrates that its main
Svetlana P. Sorokina
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Educational aspects in the Russian ballet of the 18th century
This article aims to analyze the social role of ballet theater in Russia in the 18th century as an embodiment of the educational function within non-verbal art. The theatrical culture of the Russian Empire in its initial period has become particularly attractive to researchers in recent decades as an era of the origin and development of the domestic ...
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There are many publications about the importance of emotions in the educational process. They prove that emotions are an effective management tool, including the attention of students.
O. V. Gryzunova, V. V. Gryzunov
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November 21-25, 2022, the Gnesin Russian Academy of Music hosted a large-scale conference focusing on ballet. The conference took place as part of the strategic academic leadership program Priority 2030 and was effective in meeting its aims and ...
Irina P. Susidko +1 more
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Balet Rusia À La Indonesia: Sebuah Akulturasi Dalam Tari Kabaret Baliano Karya Rusdy Rukmarata
This study discusses about the Russian ballet which is acculturated with the Nusantara culture in Indonesia. This research uses acculturation theory by Readfiled, Linton, and Herskovits in The Cambridge Handbook of Acculturation Psychology (2006).
Yunda Kenanga Valindyputri
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Schumann’s Carnival in the Poetry of Dmitry Klenovsky [PDF]
The ballet-pantomime Carnival by R. Schumann directed by M.M. Fokin (1910) contributed to the reform of the language of the ballet. Semantization of some elements and automation of others found reflection in the poetry of Dmitry Klenovsky.
Alexander V. Markov
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Elena Konstantinovna Malinovskaya (1875–1942) played a significant, albeit, at a first glance, not a particularly distinguishable role in the history of the Russian stage.
Petr N. Gordeev
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In search of the past: the phenomenon of the Russian ballet in exile in the 20th century
In search of the past: the phenomenon of the Russian ballet in exile in the 20th century The paper investigates the phenomenon of the Russian ballet in exile in the twentieth century. It highlights that the art of the ballet is a little studied part of
Joanna Mianowska
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Picasso and the theater: From Harlequin to Pegasus: The modernist fine art and theater turn [PDF]
Following the method of interdisciplinary studies, this paper analyzes Pablo Picasso's relation to theater through his paintings, theater work, and the influence of theater not only on the themes of his paintings but also on the affirmation of the Avant ...
Popović-Bodroža Ana M.
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