Results 1 to 10 of about 409 (178)
Russian Ballet in the Age of Petipa
, 2007 This essay examines choreographer Marius Petipa's long stewardship of Russia's Imperial Ballet during the second half of the nineteenth century. Born in France, Petipa spent nearly sixty years working in St. Petersburg during which he laid the foundation of the modern Russian school and helped transform an art identified with the West into a Russian ...
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On the Reflection of the Baroque Style in the Russian Art of Ballet
Ikoni, 2021 The article is devoted to the theme of the Baroque style on the Russian ballet scene of the end of the 19th century, and the focus of attention of this research steps over the bounds of the indicated time period, dwelling upon the reflection of Baroque subject matter on the 20th and early 21st century art of ballet.
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Russian Ballet: Its Style, Influence and Development in Indonesia
International Review of Humanities Studies, 2020 This research aims to explore the influence of Russian ballet style in developing ballet culture in Indonesia. Using Joseph S Nye’s soft power theory (2011) and Geoffrey Hasking’s theory (1997) on Rusification, the research argues that social and political situations in Indonesia and Russia to some extend have influenced development of ballet in ...
Vennesa Naomi Wayoan, Mina Elfira
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Ballet and Russian Women Artists in Ljubljana After 1920
Monitor ISH, 2016 The article presents selected Russian women artists in the field of ballet, who worked in Ljubljana’s theatre from 1920 to 1925. They include Russian ballet dancers, choreographers, and teachers, whose work planted the skills of the 200-year-old Russian ballet tradition in the Slovenian soil.
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At the Origins of an Interrupted Tradition: Methodological Search in Soviet Historical Musicology of the 1920s [PDF]
Художественная культура, 2023 The article discusses the stage of formation of the musicological research methodology in Russia. Similarly to a significant part of the humanitarian heritage of the 1920s which was persecuted during Stalin’s Great Break, this research tradition was ...
Bukina Tatiana V.
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Folklore Fairy Tale in the First “Russian” Ballet of S. Diaghilev’s Entreprise [PDF]
Studia Litterarum, 2023 The article analyzes the assimilation of the Russian folk tale in the ballet “The Firebird” created in 1910 by M. Fokin, I. Stravinsky, A. Golovin for S. Diaghilev’s Russian Seasons. The history of the composition of the ballet demonstrates that its main
Svetlana P. Sorokina
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Открытое образование (Москва), 2022 There are many publications about the importance of emotions in the educational process. They prove that emotions are an effective management tool, including the attention of students.
O. V. Gryzunova, V. V. Gryzunov
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Современные проблемы музыкознания, 2022 November 21-25, 2022, the Gnesin Russian Academy of Music hosted a large-scale conference focusing on ballet. The conference took place as part of the strategic academic leadership program Priority 2030 and was effective in meeting its aims and ...
Irina P. Susidko +1 more
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Balet Rusia À La Indonesia: Sebuah Akulturasi Dalam Tari Kabaret Baliano Karya Rusdy Rukmarata
Gelar: Jurnal Seni Budaya, 2021 This study discusses about the Russian ballet which is acculturated with the Nusantara culture in Indonesia. This research uses acculturation theory by Readfiled, Linton, and Herskovits in The Cambridge Handbook of Acculturation Psychology (2006).
Yunda Kenanga Valindyputri
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Schumann’s Carnival in the Poetry of Dmitry Klenovsky [PDF]
Studia Litterarum, 2020 The ballet-pantomime Carnival by R. Schumann directed by M.M. Fokin (1910) contributed to the reform of the language of the ballet. Semantization of some elements and automation of others found reflection in the poetry of Dmitry Klenovsky.
Alexander V. Markov
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