Results 21 to 30 of about 409 (178)
“It was one’s body feeling, not one’s mind”
The Russian ballet was celebrated amongst the Bloomsbury group in the early twentieth-century. Throughout 1910s-1930s, Virginia Woolf enjoyed Russian ballets such as Petrushka, Le Spectre de la Rose and Scheherazade staged by Michel Fokine and Sergei ...
Chloe Leung
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THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY [PDF]
The article aims at the evolution of the female classical dance in the cultural space of Russia and European countries in the first half of the twentieth century.
CASIAN TATIANA
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Russian ballet on the pages of the magazine “Zhar-ptitsa” (1921–1926)
INTRODUCTION. Monthly literary and artistic illustrated magazine “Zhar-ptitsa”, published from 1921 to 1925. in Berlin, in 1926 – in Paris, is a successor to the traditions of such magazines of the early twentieth century as “World of Art”, “Golden ...
M. A. Vedernikova
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Ballet scene in Belgrade (1930-1940)
The author based his observations and his conclusions upon memoires of Ksenia Grundt Duma (Ксения Грундт-Дюме). She was a well-known ballerina throughout Europe, as she was dancing on many stages from Russian Kharkov to Paris.
Viktor Ivanovich Kosik
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Satisfaction or Hard Labour? Portrait of a Ballet School in 52 Percent by Rafał Skalski
How is ballet presented in documentaries? Is Central European cinema different from cinema in the West in this respect? 52 Percent, Rafał Skalski’s documentary about Alla, a girl dreaming of becoming a ballerina, provides an intriguing answer to this ...
Anna Śliwińska
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ABSTRACT This article examines how an online eikaiwa (English conversation) provider in Japan that employs only female Eastern European (particularly Ukrainian) teachers brands them through objectification. Analysis of textual and visual elements of the provider's website and related media, including videos, demonstrates that the teachers are ...
Misako Tajima
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Prokofiev’s ballet The Tale of the Stone Flower: idea, creation, premiere
The article is the first attempt to recreate the history of the emergence and early existence of the final ballet by Prokofiev. The composer worked on this opus from July 1948 until the last day of his life.
Svetlana A. Petukhova
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Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes
ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
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Textile Metamaterials: Design, Fabrication, and Emerging Applications
Textile metamaterials combine sub‐wavelength electromagnetic structures with textile architectures, enabling flexible and wearable platforms for wave manipulation. This review highlights their evolution, fabrication strategies, electromagnetic characteristics, and emerging applications, while identifying key challenges and opportunities for next ...
Samanta M. de Holanda +8 more
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Abstract This article examines the assassination of Duma representative Mikhail Gertsenshtein in July 1906 as the pivotal moment for the emergence of the concept of “right‐wing terrorism” (pravyi terrorizm) in the Russian Empire. Drawing on court documents, police files, and censorship reports, this article argues that the significance of the ...
Moritz Florin
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