Results 11 to 20 of about 382 (179)
Elite Status-Seeking and Class Reproduction in Civil Society: An Analysis of Corporate Elite Appointments to Charity Boards. [PDF]
ABSTRACT This article examines the relationship between economic elites and civil society by analysing the appointments of corporate elites to the boards of charitable companies in the UK. Whilst previous research has usually focused on who among the corporate elite hold positions in key civil society organisations, and the extent to which these ...
Mills T, Massoumi N.
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Russian Ballet and Postmodern Trends
In this article, Russian ballet is considered from the point of view of the peculiarities of the aesthetics of postmodernism and as one of the brightest manifestations of postmodern culture. The subject of the study is the trends of postmodernism in modern Russian ballet.
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The Russian musical emigration in Yugoslavia after 1917 [PDF]
Around forty thousand Russian emigrants settled in Yugoslavia running away from the terror of the 1917 Revolution. A high percentage of them were writers, artists, musicians and ballet dancers.
Melita Milin
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St Matthew Passion by J. Neumeier: Choreographic Embodiment of J.S. Bach’s Oratorio [PDF]
St Matthew Passion (1981) is one of John Neumeier’s most important and iconic works representing a ‘living’ fresco of the New Testament story. In this article, the author attempts to explore the choreographic interpretation of Johann Sebastian Bach’s ...
Kondratova Polina A.
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ИРИНА БАРОНОВА (1919 - 2008): ЗВЕЗДА РУССКОГО БАЛЕТА
"Russian Ballet" still remain an emotional and exciting point in the world of ballet art. The ballet world created by Sergei Diaghilev is still hard to beat.
Nikolay Vitsyn
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Historical aspects of ballet education development are considered. The role of Peter the Great the reformer of cultural life of Russia is marked, as he introduced music and dance in Russian society everyday life.
E. V. Pikiner, M. N. Yureva
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The Steel Step ballet by Sergei Prokofiev in Paris and London (1927)
The creative dialogue between Sergei Diaghilev and Sergei Prokofiev is one of the key issues on the agenda of modern musicology. Among the productions developed for Diaghilev’s ballet company, one work with a whimsical and somewhat clumsy name ...
Ivan D. Porshnev
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“It was one’s body feeling, not one’s mind”
The Russian ballet was celebrated amongst the Bloomsbury group in the early twentieth-century. Throughout 1910s-1930s, Virginia Woolf enjoyed Russian ballets such as Petrushka, Le Spectre de la Rose and Scheherazade staged by Michel Fokine and Sergei ...
Chloe Leung
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THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY [PDF]
The article aims at the evolution of the female classical dance in the cultural space of Russia and European countries in the first half of the twentieth century.
CASIAN TATIANA
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Russian ballet on the pages of the magazine “Zhar-ptitsa” (1921–1926)
INTRODUCTION. Monthly literary and artistic illustrated magazine “Zhar-ptitsa”, published from 1921 to 1925. in Berlin, in 1926 – in Paris, is a successor to the traditions of such magazines of the early twentieth century as “World of Art”, “Golden ...
M. A. Vedernikova
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