Results 41 to 50 of about 382 (179)
FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED
German Life and Letters, Volume 78, Issue 2, Page 127-193, April 2025.ABSTRACT Rilke loved Venice and visited or passed through a dozen times between 1897 and 1920. He wrote extensively about the city in prose and verse between 1898 and 1908, including a cycle of poems in the Neue Gedichte and a polemical ‘Aufzeichnung’ in Malte Laurids Brigge.
Robert Vilain
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Petersburski benefis Feliksa Krzesińskiego w 1888 roku
Pamiętnik Teatralny, 1995 Based on letters from the Krzesiński family collection held at the Library of the Institute of Art, Polish Academy of Sciences, as well as Russian periodicals and other sources, the author reconstructs the details of jubilee celebrations in honour of the
Joanna Sibilska
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Russian ballet costume at the beginning of the 20th century
Культурологический журнал, 2023 В статье рассматриваются особенности русского балетного костюма XX века, влияние свободного танца на создание нового балетного костюма, основоположники русского балетного костюма Серебряного века. На основе доклада на 7-й научно-практической конференции аспирантов и молодых ученых «Науки о культуре и искусстве: перспективные исследования» (Москва, 23 ...
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Hugh Easton's Neo‐Baroque Art and the Stained‐Glass Closet in Postwar Britain*
Journal of Religious History, Volume 48, Issue 4, Page 469-487, December 2024.Hugh Ray Easton (1906–1965) was a leading mid‐twentieth century British designer of stained‐glass windows. His works combined neo‐baroque style with an aesthetic that was attuned to glamour in contemporary media such as film and homoerotic physique magazines.
Jane Brocket, Dominic Janes
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Modern creative methods of ballet staging and their reflection in the Kazakh ballet Zhusan
Creativity StudiesThe manuscript explores the evolution of ballet staging, focusing on the integration of modern dance and classical ballet. It traces this trend to the second half of the 20th century, highlighting the impact of modern dance’s flexibility on classical ...
Ilzat Aukhadiyev +2 more
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Liturgy by Leonide Massine and Liturgy by Olga Tsvetkova: In Search of Historical and Cultural Dialogue [PDF]
Художественная культураThe article is devoted to studying the reasons for the historical and cultural connection between Leonide Massine’s unstaged ballet Liturgy, which was conceived by him together with Sergei Diaghilev, and the production of the Liturgy ballet shown in 2023
Vasenina Ekaterina V.
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RUSSIAN BALLET: ITS STYLE, INFLUENCE AND DEVELOPMENT IN INDONESIA
International Review of Humanities Studies, 2020 This research aims to explore the influence of Russian ballet style in developing ballet culture in Indonesia. Using Joseph S Nye’s soft power theory (2011) and Geoffrey Hasking’s theory (1997) on Rusification, the research argues that social and political situations in Indonesia and Russia to some extend have influenced development of ballet in ...
Vennesa Naomi Wayoan, Mina Elfira
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Exercise addiction in team sports: A systematic literature review
Scandinavian Journal of Psychology, Volume 65, Issue 5, Page 846-857, October 2024.While regular exercise should be part of the contemporary lifestyle, many people overindulge in it to the point of losing control over their behavior. This condition is known as exercise addiction (EA). Although addiction is an individual phenomenon, and most of the over 1,000 published studies on EA look at individual exercisers, there are studies on ...
Bhavya Chhabra +2 more
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Classical choreographic heritage of the 19th century in Kazan theater: in past and present
Историческая этнология, 2018 In the middle of the 19th century Kazan had a solid reputation as a theatrical city. The Russian grand drama theater started operating in 1791. 1874 is rightly considered the birthday of the Kazan opera.
Larisa N. Donina
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Reading Paasi and Living through Bounded Spaces
Tijdschrift voor Economische en Sociale Geografie, Volume 115, Issue 4, Page 490-496, September 2024.Abstract This brief article dedicates a few subjective considerations to the versatility and afterlives of Paasi's conceptual thinking, enriching the way we perceive spaces and borders in highly differentiated environments and times. I will confess my uneasiness with bounded spaces and explore the origins of that unease.
Aija Lulle
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