Results 11 to 20 of about 5,439 (221)
Travessias, 2008 Banksy is a graffiti and stencils authorial code name, a tag looming to the walls, to the faades, to the streets, to the squares of England since the early 90s, spreading for so many other urban spaces around the world (from Europe to Latin America, from
José Schneedorf
doaj +2 more sources
From vandal to artist: Banksy [PDF]
Anuario del Departamento de Historia y Teoría del Arte, 2015 Desde antiguo, escribir en las paredes –grafiti– se ha interpretado como una forma de vandalismo cuando no de iconoclastia, sin embargo, el grafiti moderno surgido a finales de los años sesenta en Filadelfia se ha considerado como un modo de hacer ...
Moriente, David
core +4 more sources
A comprehensive benchmarking for spatially resolved transcriptomics clustering methods across variable technologies, organs, and replicates. [PDF]
ImetaSpatial clustering is a critical step in spatially resolved transcriptomics. Here, we conducted a comprehensive benchmarking analysis of 14 spatial clustering methods using ~600 datasets, including both real‐world and simulated data spanning ten technologies and eight organs.
Chen R +5 more
europepmc +2 more sources
"Darling Look! It’s a Banksy!” Viewers’ Material Engagement with Street Art and Graffiti [PDF]
, 2016 This chapter examines viewers’ affective encounters with street art and graffiti, with attention to the critical framework provided by Rancière (2004), whose work suggests a method for investigating our aesthetic practices of participation (or exclusion)
Flynn, Danny, Hansen, Susan
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Digital Edible Literacies: Ephemeral and Highly Affective
Reading Research Quarterly, Volume 58, Issue 4, Page 495-504, October/November/December 2023., 2023 Abstract Digital edible literacies (DEL) are a new media phenomenon that has recently surfaced in social media but has not been examined in scholarly literature before. I exemplify the entanglements of food, media, and children's stories in three DEL exemplars shared on a private blog, Instagram, and connected Meta channels. Drawing on a genre analysis,
Natalia Kucirkova
wiley +1 more source
EchoGéo, 2018 In this article, I would like to question the political power of images in the urban space. To do this, I rely on the confrontation of two types of images displayed in Calais, a city now associated with the "migrant problem".
Damien Darcis
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Les Cahiers de Framespa, 2016 Exit Through the Gift Shop: A Banksy Film (2010) appears like a documentary on the history of street art. It was made by the world-famous, though mysterious, street artist Banksy and, as its title indicates, it is characterized by a reflection on the ...
Marie Bouchet
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Graffiti, Street Art and Copyright [PDF]
, 2018 This short note examines whether street and graffiti art can and should be protected by copyright. Indeed, cases where corporations have used these forms of art to promote their products are increasingly common, which shows that these artworks are ...
Bonadio, E.
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Altre Modernità, 2018 All’inizio degli anni 2000, lo street artist Banksy iniziò a diffondere le sue rappresentazioni (disegni a stencil, graffiti, tag e varie altre tipologie di interventi) nelle strade di Londra.
Gabriele Boero
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Mural Painting and The Spirit of The Place Versus Graffiti and Street Art [PDF]
, 2016 Since 1978, Cité Création has created worldwide more than 650 mural paintings, frescoes, decorations, stage sets in public and private spaces for inhabitants, visitors and tourists.
Bensaïd, Halim
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