Results 1 to 10 of about 14,763 (236)

Alois Riegl’s “Baroque” in the light of selected passages in his unpublished manuscripts [PDF]

open access: yesJournal of Art Historiography, 2023
This article deals with aspects of Alois Riegl’s investigation of Baroque art in light of selected passages of his still unpublished manuscripts. The analysis of this voluminous corpus, in comparison with Riegl’s posthumous publications on the “origins ...
Eleonora Gaudieri
doaj   +1 more source

Specificity of performance and intonation of clavier works of the Baroque era

open access: yesВестник Тамбовского университета. Серия: Гуманитарные науки, 2021
We analyze the specifics of performance and intonation clavier works of the Baroque era. An approximate model of the system for mastering the art of intonation of Baroque clavier music is given.
A. Y. Maryatch
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Viktor Zhivov "Toward a Typology of the Baroque in Russian Literature of the XVII—Early XVIII Centuries"

open access: yesВивліоѳика, 2021
Viktor Zhivov’s 2007 article, here translated into English for the first time, attempts to describe the specific nature of the Baroque in Russia. According to Zhivov, Russian Baroque culture arose via transplantation and was not the result of organic ...
Marcus Levitt
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“A Well-organized Disorder”. A Look at the Spanish American Neo-baroque [PDF]

open access: yesЛитература двух Америк, 2023
The article consists of two parts: theory and artistic practice. The first part examines the history of the concept of Latin American Neo-Baroque. It begins in European art history, first, when J. Burkhard characterized the Baroque as a certain period in
Andrey F. Kofman
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« “Les rythmes de la vie nue” : enjeux phénoménologiques de l’interdisciplinarité du baroque (Wölfflin, Chastel, Raymond, Rousset) »

open access: yesEtudes Epistémè, 2023
The aim of this article is to show how several scholars, historians of art and literature, have focused, in order to go against the original lexicological flaw of the Baroque, on making its history from disciplinary paradigms.
Maxime Cartron
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Baroque AI

open access: yes, 2023
Publication prototype: A computational publishing and AI assisted writing course unit with students of the Open Knowledge class – at Hochschule Hannover with the Open Science Lab, TIB. The prototype publication exerice involves creating a fictional ‘exhibition catalogue’ drawing on Wikidata based cataloguing of seventeenth century painting deposited ...
Worthington, Simon, , Blümel
openaire   +1 more source

Ancora sui goûts réunis: Michele Mascitti, Giovanni Antonio Guido e l’eredità di Corelli e Vivaldi in Francia nella prima metà del Settecento

open access: yesDe Musica Disserenda, 2015
The subject isthe reception of Italian instrumental music in France during the first decades of the eighteenth century. After examining the diffusion of music by Corelli and Vivaldi – the two Italian composers who exerted the most durable influence on ...
Barbara Nestola
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Inclination towards Baroque in Contemporary Figurative Painting [PDF]

open access: yesپیکره, 2014
The Baroque period started a great revolution in the realm of painting. One of the most important benefits was that much more expressive possibilities were introduced in painting. Various newly formed qualities created a visually effective language which
Hojat Allah Saadatfar
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J v Schlosser, ‘Report on the Habilitation of Dr. Hans Sedlmayr’, trans. Karl Johns [PDF]

open access: yesJournal of Art Historiography, 2022
A translation of Julius Schlosser’s assessment of Hans Sedlmayr’s application for Habilitation.
Karl Johns
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Baroque Assumptions

open access: yes21: Inquiries into Art, History, and the Visual, 2022
21: Inquiries into Art, History, and the Visual, Bd. 3 Nr. 3 (2022): 21: Inquiries into Art, History, and the Visual.
openaire   +2 more sources

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