Results 1 to 10 of about 170,683 (298)
Ribald Man with a cranky look. The Sarmatian portrait as the pop-cultural symbol of the Baroque in Poland [PDF]
Journal of Art Historiography, 2016 This article analyses how it was that the Sarmatian portrait, a phenomenon typical of Polish Baroque art in the twentieth century, came to be a symbol of Polishness, and to what extent this pop-cultural vision of the ‘Polish Baroque’ was formed by ...
Emilia Kłoda, Adam Szeląg
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Alois Riegl’s “Baroque” in the light of selected passages in his unpublished manuscripts [PDF]
Journal of Art Historiography, 2023 This article deals with aspects of Alois Riegl’s investigation of Baroque art in light of selected passages of his still unpublished manuscripts. The analysis of this voluminous corpus, in comparison with Riegl’s posthumous publications on the “origins ...
Eleonora Gaudieri
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Specificity of performance and intonation of clavier works of the Baroque era
Вестник Тамбовского университета. Серия: Гуманитарные науки, 2021 We analyze the specifics of performance and intonation clavier works of the Baroque era. An approximate model of the system for mastering the art of intonation of Baroque clavier music is given.
A. Y. Maryatch
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Вивліоѳика, 2021 Viktor Zhivov’s 2007 article, here translated into English for the first time, attempts to describe the specific nature of the Baroque in Russia. According to Zhivov, Russian Baroque culture arose via transplantation and was not the result of organic ...
Marcus Levitt
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“A Well-organized Disorder”. A Look at the Spanish American Neo-baroque [PDF]
Литература двух Америк, 2023 The article consists of two parts: theory and artistic practice. The first part examines the history of the concept of Latin American Neo-Baroque. It begins in European art history, first, when J. Burkhard characterized the Baroque as a certain period in
Andrey F. Kofman
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Etudes Epistémè, 2023 The aim of this article is to show how several scholars, historians of art and literature, have focused, in order to go against the original lexicological flaw of the Baroque, on making its history from disciplinary paradigms.
Maxime Cartron
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De Musica Disserenda, 2015 The subject isthe reception of Italian instrumental music in France during the first decades of the eighteenth century. After examining the diffusion of music by Corelli and Vivaldi – the two Italian composers who exerted the most durable influence on ...
Barbara Nestola
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Inclination towards Baroque in Contemporary Figurative Painting [PDF]
پیکره, 2014 The Baroque period started a great revolution in the realm of painting. One of the most important benefits was that much more expressive possibilities were introduced in painting. Various newly formed qualities created a visually effective language which
Hojat Allah Saadatfar
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J v Schlosser, ‘Report on the Habilitation of Dr. Hans Sedlmayr’, trans. Karl Johns [PDF]
Journal of Art Historiography, 2022 A translation of Julius Schlosser’s assessment of Hans Sedlmayr’s application for Habilitation.
Karl Johns
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The performance of notes inégales: the influence of tempo, musical structure and individual performance style on expressive timing [PDF]
, 2011 NOTES INÉGALES IS A COMMON PRACTICE IN THE per- formance of French baroque music. It indicates that the first of a pair of equally notated notes is played longer, similar to the use of swing eighths in jazz.
Moelants, Dirk
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