Results 171 to 180 of about 87,973 (229)
Silk road heritage: The artistic representation of port trading culture in the images of characters in Qing Dynasty Guangzhou export paintings. [PDF]
Liu H, Fu C, Li W.
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Art History: Renaissance, Baroque, Rococo
2023In this essay I will discuss the relationship between the arts and the growing body of scientific knowledge during the Renaissance, Baroque, and Rococo periods. Beginning with the Renaissance and then continuing on to the Baroque and Rococo periods, science and art were closely related.
openaire +1 more source
Littératures classiques, 1999
Souiller Didier. D’un art poétique baroque. In: Littératures classiques, n°36, printemps 1999. Le baroque en question(s) pp. 45-61.
openaire +2 more sources
Souiller Didier. D’un art poétique baroque. In: Littératures classiques, n°36, printemps 1999. Le baroque en question(s) pp. 45-61.
openaire +2 more sources
1996
The major topics painted and sculpted during the 17th century are featured here. Baroque artists chose stories not only from the Bible but also from mythology; these are not included in art history texts. In this volume, one finds the primary sources:The Golden Legend, theBible, Ovid, and Plutarch, to name a few. Each entry concludes with an example of
openaire +1 more source
The major topics painted and sculpted during the 17th century are featured here. Baroque artists chose stories not only from the Bible but also from mythology; these are not included in art history texts. In this volume, one finds the primary sources:The Golden Legend, theBible, Ovid, and Plutarch, to name a few. Each entry concludes with an example of
openaire +1 more source
Babinski's Sign in Medieval, Renaissance, and Baroque Art
Archives of Neurology, 1989In 1896, Joseph François Babinski first described his well-known sign of dorsiflexion of the big toe on stimulating the sole of the foot. However, unknown to Babinski, several painters had previously demonstrated this phenomenon in their paintings. Sandro Botticelli (1445-1510), a Florentine Renaissance painter, demonstrated this reflex in his Madonna ...
E W, Massey, L, Sanders
openaire +2 more sources
The Origins of Baroque Art in Rome
2010Journal of Art Historiography ...
HOPKINS, ANDREW JAMES, A. WITTE
openaire +3 more sources

