Tiny jubilations: using photography in fiction [PDF]
, 2017 Zoë Strachan offers here an examination of the haunting power of photography as a creative stimulus. She discusses the use of photographs in Janice Galloway’s two autobiographies This is Not About Me (2008) and All Made Up (2011), as well as her own ...
Barthes +15 more
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Quels curricula d’éducation au politique dans les questions environnementales et de développement ?
Éducation et Socialisation, 2022 We propose a definition of what an education to politics can be, then what it implies in concrete terms to intentionally set up curricula of an education to politics between decoding of epistemologies of politically situated knowledge, multi ...
Angela Barthes
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Writing Against the Machine: Computational Authorship and Historical Writing
History, EarlyView.Abstract Historians generate knowledge through the labour of composition – through the friction between interpretation and evidence that makes claims open to scrutiny and challenge. This essay argues that when composition is bypassed, that structure disappears. Generative AI raises this issue in urgent fashion.
CHRISTOPHER GERTEIS
wiley +1 more source
Revisiting Roland Barthes's effet de réel : an analysis of the use of insignificant details in artist's monographs and monographic museums [PDF]
, 2010 The anti-authorial criticism voiced in La mort de l’Auteur is probably Roland Barthes’ most direct attack on the traditional life-and-work format of the artist’s monograph. The essay has become - together with Foucault’s Qu’est-ce qu’un auteur?
Liefooghe, Maarten
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Death of the image/the image of death: Temporality, torture and transience in Sunohara Yuuri and Akita Masami’s Harakiri Cycle [PDF]
, 2011 Sunohara Yuuri and Akita Masami's series of six seppuku films (1990) are solely constituted by images of fictionalized death, revolving around the prolonged selftorture of a lone figure committing harakiri. I contend that the protagonist's autoimmolation
Jones, Steve
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Ambiguitas yang Mencerminkan Rasisme dalam Film The Princess and The Frog
Paradigma: Jurnal Kajian Budaya, 2014 Princess fairy tales have made the Disney Corporation so famous. At fi rst, Disney princesses were white skinned. As time goes by, Disney started fi lming animated movies with colored princesses.
Rizki Nurmaya Oktarina
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Children &Society, EarlyView.Abstract In the context of aspirations that firmly position education as the key to multiple global development goals, we raise concerns about how education is experienced by many children, particularly in low‐income, postcolonial contexts. Drawing from two, in‐depth qualitative studies in Tanzania, we demonstrate that existing pedagogical practices ...
Laela Adamson, Rhona Brown
wiley +1 more source
Towards a Non-hierarchical Space of Thought: Reading Roland Barthes’ The Neutral [PDF]
, 2015 The article is devoted to The Neutral: the 1977-1978 lecture course developed and taught by Roland Barthes at the Collège de France. I argue that The Neutral is firmly rooted in the tradition that Brian Massumi defined as “nomad thought” in his ...
Myk, Małgorzata
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Biografia e autobiografia in Barthes (1915-1980) e Lotman (1922-1993): un confronto di prospettive
Ocula, 2016 This essay deals with the theme of autobiography (or, better still, of personal biography) through the comparison of two 'autobiographies', those of Roland Barthes and Jurij M. Lotman.
Isabella Pezzini
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Eroticism in and of the City: The Question of Approach [PDF]
, 2013 Discussions of eroticism usually commence with references to Georges Bataille and his L’Erotisme, whose first English edition was published under the title Death and Sensuality: A Study of Eroticism and the Taboo (1962), thus encouraging analyses in ...
Kębłowska-Ławniczak, Ewa
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