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Dal mito classico al mito riciclato: La cultura di massa secondo Roland Barthes
Ocula, 2016 This essay makes critical reference to Barthes' Mythologies (1956), the text which has been recognised as fundamental to the semiological study of mass and popular culture.
Marcel Danesi
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Kwartalnik Filmowy, 2021 Esej Rolanda Barthes’a, pierwotnie opublikowany w czasopiśmie „Communications” (1975, nr 23), określa „sytuację kinową” jako „prehipnotyczną”. Autor analizuje warunki specyficzne dla sali kinowej, a także stan psychiczny widza przed wejściem do kina i ...
Roland Barthes
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, 2006 My visual practice is concerned with an articulation of the 'left-out-thing', remnant or blank, produced by and embedded within technologies of representation, which themselves echo the mechanisms through which an identity is formed. As automatic, 'empty
Morris, Susan
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Period-Luminosity-Colour distribution and classification of Galactic oxygen-rich LPVs [PDF]
, 1999 The absolute K magnitudes and kinematic parameters of about 350 oxygen-rich Long-Period Variable stars are calibrated, by means of an up-to-date maximum-likelihood method, using Hipparcos parallaxes and proper motions together with radial velocities and,
Alvarez, R. +3 more
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Nicolás Rosa, translator of Barthes: criticism as much writing
Estudios de Teoría Literaria, 2016 This paper recovers the notions of writing, reading and criticism of Roland Barthes and critical production of Nicholas Rosa, who was his translator and undoubtedly has maintained a constant dialogue with him.
María Coira
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Verso un lessico barthesiano: prime voci
Ocula, 2016 In the following essay Gianfranco Marrone presents two entries from a more comprehensive work on Barthes' lexicon: Work/Text and Obvious/Obtuse. In the first entry Marrone follows the intellectual process that led to a conceptual revolution in semiotic ...
Gianfranco Marrone
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‘“Be vewy vewy quiet. We’re hunting Wippers.” A Barthesian analysis of the construction of fact and fiction in Alan Moore and Eddie Campbell’s From Hell [PDF]
, 2010 “I made it up and it all came true anyway” says the pseudo-psychic Mr Lees in the prologue to From Hell. However, it seems that this statement applies equally to the Jack the Ripper saga as a whole, whose contradictory stories and elements have been ...
Round, Julia
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Comparatismi, 2019 Leggendo le pagine dedicate da Barthes e Gadamer al fenomeno dell’interpretazione del testo letterario, si nota la loro comune presa di posizione nei confronti della piena identificazione del senso dell’opera con quello voluto ed espresso dall’autore ...
Giulia Nutini
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Photography as a tool of Alienation: Aura [PDF]
, 2010 Regular photographical imaging record volumetric planes with smooth surfaces. The reason is the camera’s deficiency in perceiving and documenting the visual richness of “persuasive” details in life.
Germen, Murat
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Viso, 2010 Este artigo corresponde a comunicação proferida na mesa "Autoria" do Colóquio "Gênio, criação, autoria", organizado pela Revista Viso e pela Escola de Artes Visuais do Parque Lage, e realizado nas dependências dessa instituição entre os dias 03 e 05 de ...
Glória Ferreira
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