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Graph Neural Network and LSTM Integration for Enhanced Multi-Label Style Classification of Piano Sonatas. [PDF]
Sensors (Basel)Zhang S, Liu Y, Zhou M.
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Audio-visual concert performances synchronize audience's heart rates. [PDF]
Ann N Y Acad SciCzepiel AM +5 more
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Intracellular Uptake of Magnetic Nanocapsules with Ionic Chitosan Shells and Magnetically Triggered Cargo Release. [PDF]
Nanotechnol Sci ApplGumieniczek-Chłopek E +6 more
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Beethoven and Divergent Thinking
Creativity Research Journal, 2022Works of art have value not only as entertainment and aesthetic expression – they also externalize features of human cognition that would often otherwise remain hidden. A musical example from the 19th century is a striking case in point.
Anthony K. Brandt
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, 2021
Artificial intelligence (AI) has reached creative industries such as music. Algorithms now produce high-quality artistic content (e.g. original songs), for hedo consumption and utilitarian business applications. While available literature to-date focuses
Francisco Tigre Moura, Charlotte Maw
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Artificial intelligence (AI) has reached creative industries such as music. Algorithms now produce high-quality artistic content (e.g. original songs), for hedo consumption and utilitarian business applications. While available literature to-date focuses
Francisco Tigre Moura, Charlotte Maw
semanticscholar +1 more source
Beethoven’s Theologian: Johann Michael Sailer and the Missa solemnis
Journal of the American Musicological Society, 2021This article investigates Beethoven’s connection to the Bavarian Catholic theologian Johann Michael Sailer (1751–1832), the importance of which has been understated or misunderstood in the existing Beethoven literature. Drawing on historical studies of
N. Chong
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The Beethoven Syndrome, 2020
Beethoven’s style, composers and critics agreed, could not be imitated. But his subjectivity—or, more precisely, his perceived attitude of subjectivity—could be emulated quite readily, and it became the new norm soon after his death.
M. Bonds
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Beethoven’s style, composers and critics agreed, could not be imitated. But his subjectivity—or, more precisely, his perceived attitude of subjectivity—could be emulated quite readily, and it became the new norm soon after his death.
M. Bonds
semanticscholar +1 more source