Results 11 to 20 of about 6,751 (186)

Beowulf

, 2006
Digital images of Beowulf, a Sean Morris play presented by Whittier College’s Theatre Department. The play was directed by Jennifer S. Holmes and ran March 22, 23, 24, 25, and 26.
College, Whittier
core   +33 more sources

Modular Adaptive Processing Infrastructure (MAPI): a blueprint for interconnecting generic workflows with modern interfaces. [PDF]

J Synchrotron Radiat
MAPI is a modular web‐based framework designed to unite legacy analysis code with heterogeneous backends (edge, on‐premises, high‐performance computing, cloud), dramatically accelerating data analysis workflows and offering a scalable flexible blueprint for modernizing synchrotron data analysis.In this paper, we introduce the Modular Adaptive ...
Hafner A, Kourousias G, De Simone M, Pugliese R.   +3 more
europepmc   +2 more sources

ZNHIT3 Regulates Translation to Ensure Cell Lineage Differentiation in Mouse Preimplantation Development. [PDF]

Adv Sci (Weinh)
Box C/D snoRNP complex regulates protein translation. This study identifies ZNHIT3 as a key component of the complex and ensures normal protein expression, including transcription factors orchestrating cell fate commitment, during early mouse embryogenesis.
Yang G, Xin Q, Dean J.
europepmc   +2 more sources

Beowulf by All [PDF]

, 2021
Beowulf By All is the first ever community translation of the poem known as Beowulf, and is published here for the first time in workbook form as Beowulf By All: Community Translation and Workbook in order to provide space and an added incentive for ...

core   +1 more source

Impact of AlphaFold on structure prediction of protein complexes: The CASP15‐CAPRI experiment

Proteins: Structure, Function, and Bioinformatics, Volume 91, Issue 12, Page 1658-1683, December 2023., 2023
Abstract We present the results for CAPRI Round 54, the 5th joint CASP‐CAPRI protein assembly prediction challenge. The Round offered 37 targets, including 14 homodimers, 3 homo‐trimers, 13 heterodimers including 3 antibody–antigen complexes, and 7 large assemblies.
Marc F. Lensink, Guillaume Brysbaert, Nessim Raouraoua, Paul A. Bates, Marco Giulini, Rodrigo V. Honorato, Charlotte van Noort, Joao M. C. Teixeira, Alexandre M. J. J. Bonvin, Ren Kong, Hang Shi, Xufeng Lu, Shan Chang, Jian Liu, Zhiye Guo, Xiao Chen, Alex Morehead, Raj S. Roy, Tianqi Wu, Nabin Giri, Farhan Quadir, Chen Chen, Jianlin Cheng, Carlos A. Del Carpio, Eichiro Ichiishi, Luis A. Rodriguez‐Lumbreras, Juan Fernandez‐Recio, Ameya Harmalkar, Lee‐Shin Chu, Sam Canner, Rituparna Smanta, Jeffrey J. Gray, Hao Li, Peicong Lin, Jiahua He, Huanyu Tao, Sheng‐You Huang, Jorge Roel‐Touris, Brian Jimenez‐Garcia, Charles W. Christoffer, Anika J. Jain, Yuki Kagaya, Harini Kannan, Tsukasa Nakamura, Genki Terashi, Jacob C. Verburgt, Yuanyuan Zhang, Zicong Zhang, Hayato Fujuta, Masakazu Sekijima, Daisuke Kihara, Omeir Khan, Sergei Kotelnikov, Usman Ghani, Dzmitry Padhorny, Dmitri Beglov, Sandor Vajda, Dima Kozakov, Surendra S. Negi, Tiziana Ricciardelli, Didier Barradas‐Bautista, Zhen Cao, Mohit Chawla, Luigi Cavallo, Romina Oliva, Rui Yin, Melyssa Cheung, Johnathan D. Guest, Jessica Lee, Brian G. Pierce, Ben Shor, Tomer Cohen, Matan Halfon, Dina Schneidman‐Duhovny, Shaowen Zhu, Rujie Yin, Yuanfei Sun, Yang Shen, Martyna Maszota‐Zieleniak, Krzysztof K. Bojarski, Emilia A. Lubecka, Mateusz Marcisz, Annemarie Danielsson, Lukasz Dziadek, Margrethe Gaardlos, Artur Gieldon, Adam Liwo, Sergey A. Samsonov, Rafal Slusarz, Karolina Zieba, Adam K. Sieradzan, Cezary Czaplewski, Shinpei Kobayashi, Yuta Miyakawa, Yasuomi Kiyota, Mayuko Takeda‐Shitaka, Kliment Olechnovic, Lukas Valancauskas, Justas Dapkunas, Ceslovas Venclovas, Bjorn Wallner, Lin Yang, Chengyu Hou, Xiaodong He, Shuai Guo, Shenda Jiang, Xiaoliang Ma, Rui Duan, Liming Qui, Xianjin Xu, Xiaoqin Zou, Sameer Velankar, Shoshana J. Wodak   +112 more
wiley   +1 more source

"Where now the harp?" Listening for the sounds of Old English verse, from Beowulf to the twentieth century [PDF]

, 2011
Additional multimedia to accompany this article is available from http://journal.oraltradition.org/issues/24ii/jonesThis essay examines the representation or staging of oral performance and poetic composition within Beowulf, in order to argue that poem ...
Jones, Chris
core   +2 more sources

‘The Breath of Every Living Thing’: Zoocephali and the Language of Difference on the Medieval Hebrew Page

Art History, Volume 46, Issue 4, Page 714-748, September 2023., 2023
The most remarkable feature of the Hammelburg Mahzor, a fourteenth‐century German High Holiday book, is the inclusion of zoocephalic figures: humans with beastly heads. The purpose of this essay is to explore the semiotics and phenomenology of this specifically Jewish visual idiom, and to suggest that its presence lies at the intersection of language ...
Elina Gertsman
wiley   +1 more source

Designing Contact Independent High-Performance Low-Cost Flexible Electronics. [PDF]

Adv Mater
Large‐scale simulations identify device design parameters to circumvent charge injection limitations in organic field‐effect transistors, enabling high charge carrier mobility (>5 cm2 V−1s−1) in all‐organic, solution‐processed devices with printed contacts. Abstract Organic semiconductors enable low‐cost solution processing of optoelectronic devices on
Waldrip M, Yu Y, Dremann D, Losi T, Willner B, Caironi M, McCulloch I, Jurchescu OD.   +7 more
europepmc   +2 more sources

The Role of Implicit and Explicit Beliefs in Grave‐Good Practices: Evidence for Intuitive Afterlife Reasoning

Cognitive Science, Volume 47, Issue 4, April 2023., 2023
Abstract The practice of burying objects with the dead is often claimed as some of the earliest evidence for religion, on the assumption that such “grave goods” were intended for the decedents’ use in the afterlife. However, this assumption is largely speculative, as the underlying motivations for grave‐good practices across time and place remain ...
Thomas Swan, Jesse Bering, Ruth Hughes, Jamin Halberstadt   +3 more
wiley   +1 more source

Rethinking the Metre of Parzival: Iambic Verse for a Trochaic Language

Transactions of the Philological Society, Volume 121, Issue 1, Page 91-116, March 2023., 2023
Abstract The Middle High German (MHG) prosodic foot is uncontroversially considered to be trochaic, a fact which has traditionally led scholars to assume a preference for trochaic metre in poetry of the MHG Classical Period. However, given the trend elsewhere in mediaeval Europe (even in trochaic languages) to emulate French lyrics and compose verse in
Joshua J. Booth
wiley   +1 more source