Results 41 to 50 of about 33,685 (238)

Dances on the Edges of Modernism [PDF]

open access: yes, 2000
When modernism started to become the major paradigm in the western world, western theatre also took part in the development. Realism, a child of modernism, soon became the mainstream of the theatrical expression.
Basuki, R. (Ribut)
core   +2 more sources

Anti‐Blackness, Canonicity, and (Mis‐)Identification in Emine Sevgi Özdamar's Ein von Schatten begrenzter Raum

open access: yesThe German Quarterly, Volume 98, Issue 2, Page 91-108, Spring 2025.
Abstract This essay explores the disturbing presence of anti‐Black language and tropes in Emine Sevgi Özdamar's recent, celebrated novel Ein von Schatten begrenzter Raum. Drawing on Toni Morrison's classic analysis in Playing in the Dark, I argue Özdamar's anti‐Blackness is characterized by a double‐valence: on one hand, Özdamar's anti‐Blackness ...
Barbara N. Nagel
wiley   +1 more source

Brecht-Konferenz in Zhytomyr (Ukraine) [PDF]

open access: yes, 2011
Der Artikel schildert kurz die Thematik der Vorträge und die Hauptrichtungen der Diskussionen während der III. Dramatischen Lesungen – Der allukrainischen wissenschaftlichen Konferenz „Bertolt Brecht – ein Künstler, der seine Zeit überholt hat“.
Ліпісівіцький, М. Л.
core  

The Razian Response to Philosophical Anarchism: A Probe into the Authority‐Autonomy Tension

open access: yesRatio Juris, Volume 37, Issue 4, Page 274-292, December 2024.
Abstract This paper juxtaposes two conflicting positions on the justifiability of authority: Robert Wolff's philosophical anarchist argument and a response to Wolff consisting in Joseph Raz's service conception of authority. Following an introduction, I provide a brief exposition of Wolff's claim that authority is incompatible with moral autonomy ...
Noam Gur
wiley   +1 more source

Brecht by Formosa. Between effective staging and poetic conciseness [PDF]

open access: yes, 2019
Per esbrinar a quins aspectes de Bertolt Brecht donà més importància el seu principal traductor al català, Feliu Formosa, que també muntà la primera representació d’una obra de Brecht a Catalunya, aquest article tracta de les teories de Brecht tal com ...
Van Lawick, Heike
core   +1 more source

THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN

open access: yesGerman Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.
ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
wiley   +1 more source

Replies to Nicholas Walker, Taylor Carman, and Peter Gordon

open access: yesEuropean Journal of Philosophy, Volume 32, Issue 3, Page 983-992, September 2024.
Abstract In what follows, I present my replies to Nicholas Walker, Taylor Carman, and Peter Gordon's reflections on my What Would Be Different? Figures of Possibility in Adorno. I begin by summarizing what is at stake in the book. My reply to Nicholas Walker and Taylor Carman focusses on Adorno's criticisms of Heidegger, who claims that the history of ...
Iain Macdonald
wiley   +1 more source

Comuna de Paris, Bertolt Brecht

open access: yesRevista Espaço Acadêmico, 2017
De “Os dias da Comuna”, de Bertolt Brecht, tradução de Fernando Peixoto.
REA Editor
doaj  

Lessons from Brecht: a Brechtian approach to drama, texts and education [PDF]

open access: yes, 1999
In this piece the authors seek to re-read Brecht in terms of his contribution to drama education and pedagogic thought, rather than viewing him in conventional terms as a cultural icon and ‘great practitioner’ of theatre.
Franks, Anton, Jones, Ken
core   +1 more source

Mirror, dynamo or lens? Drama, children and social change [PDF]

open access: yes, 2010
In this talk I will outline a collection of metaphors in search of an idea that can express theatre’s potential as a form of social pedagogy and socialisation both for young people of school age and also for its other audiences and makers.
Neelands, Jonothan
core  

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