Results 51 to 60 of about 33,685 (238)
Drudgery, Terminable and Interminable1
Religious Studies Review, Volume 51, Issue 3, Page 660-668, September 2025.
William Arnal
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Hans Eisler: Companheiro musical de Brecht
Pandaemonium Germanicum: Revista de Estudos Germanísticos, 2000 Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
doaj
Studia theodisca, 2017 Die Plebejer proben den Aufstand. Ein deutsches Trauerspiel (1966) by Günter Grass aroused great scandal, because the play denounces the tactics of Bertolt Brecht with regard to the workers’ uprising in East Germany on June 17, 1953.
Karoline Sprenger
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The Burden of the Past, the Dialectics of the Present: Notes on Virginia Woolf's and Walter Benjamin's Philosophies of History [PDF]
, 2010 Writing in a Paris rife with war-anxieties, refugees and political plots, a stateless individual by the name of Walter Benjamin recorded on 11 January 1940: “Every line that we succeed in publishing today - given the uncertainty of the future to which ...
Bahun, Sanja
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Objectivity and the Historian: Beyond the Fried Egg Test
Critical Quarterly, Volume 67, Issue 2, Page 63-73, July 2025.
David Stack
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INTRODUCTION. LETTERS IN THE WEB OF LIFE: TOWARDS AN ECOLOGICAL PHILOLOGY
German Life and Letters, Volume 78, Issue 3, Page 277-288, July 2025.
Conor Brennan, Caitríona Ní Dhúill
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Bertolt Brecht (1898–1956).Vida e Obra.
Millenium, 2016 Alemão, dramaturgo, poeta, Bertolt Brecht escreveu também contos. Estudou medicina. As suas primeiras tendências literárias foram para um romantismo muito carregado de tintas anarquistas. Primeira peça de teatro – “Baal”. Em 1918.
Vasco Soares de Oliveira Cunha
doaj
Il castello di Elsinore, 2017 The essay addresses the important theoretical question of the relationship between actor and character in film and theatrical acting through Benjamin’s distinction between symbol and allegory, also reflecting on the topic of Sergej Ejzenštejn, André ...
Armando Petrini
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Sinais de Cena, 2005 Crítica ao espectáculo Um Homem é um Homem, de Bertolt Brecht, com encenação de Luís Miguel Cintra, Teatro da Cornucópia, 2005.
Maria Helena Serôdio
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Brecht e Benjamin: carattere e personaggio
Il castello di Elsinore, 2018 Walter Benjamin had an assiduous relationship with Bertolt Brecht, especially during the latter’s exile in Svendborg in Denmark from 1933 to 1938. The importance of Brecht figure for Benjamis is widely attested.
Fabio Tolledi
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