Results 51 to 60 of about 31,758 (258)
Objectivity and the historian: Beyond the fried egg test
Critical Quarterly, EarlyView.
David Stack
wiley +1 more source
Comuna de Paris, Bertolt Brecht
De “Os dias da Comuna”, de Bertolt Brecht, tradução de Fernando Peixoto.
REA Editor
doaj
Lessons from Brecht: a Brechtian approach to drama, texts and education [PDF]
In this piece the authors seek to re-read Brecht in terms of his contribution to drama education and pedagogic thought, rather than viewing him in conventional terms as a cultural icon and ‘great practitioner’ of theatre.
Franks, Anton, Jones, Ken
core +1 more source
The Burden of the Past, the Dialectics of the Present: Notes on Virginia Woolf's and Walter Benjamin's Philosophies of History [PDF]
Writing in a Paris rife with war-anxieties, refugees and political plots, a stateless individual by the name of Walter Benjamin recorded on 11 January 1940: “Every line that we succeed in publishing today - given the uncertainty of the future to which ...
Bahun, Sanja
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The essay addresses the important theoretical question of the relationship between actor and character in film and theatrical acting through Benjamin’s distinction between symbol and allegory, also reflecting on the topic of Sergej Ejzenštejn, André ...
Armando Petrini
doaj +1 more source
INTRODUCTION. LETTERS IN THE WEB OF LIFE: TOWARDS AN ECOLOGICAL PHILOLOGY
German Life and Letters, Volume 78, Issue 3, Page 277-288, July 2025.
Conor Brennan, Caitríona Ní Dhúill
wiley +1 more source
Bertolt Brecht (1898–1956).Vida e Obra.
Alemão, dramaturgo, poeta, Bertolt Brecht escreveu também contos. Estudou medicina. As suas primeiras tendências literárias foram para um romantismo muito carregado de tintas anarquistas. Primeira peça de teatro – “Baal”. Em 1918.
Vasco Soares de Oliveira Cunha
doaj
Crítica ao espectáculo Um Homem é um Homem, de Bertolt Brecht, com encenação de Luís Miguel Cintra, Teatro da Cornucópia, 2005.
Maria Helena Serôdio
doaj
Brecht e Benjamin: carattere e personaggio
Walter Benjamin had an assiduous relationship with Bertolt Brecht, especially during the latter’s exile in Svendborg in Denmark from 1933 to 1938. The importance of Brecht figure for Benjamis is widely attested.
Fabio Tolledi
doaj +1 more source
Mirror, dynamo or lens? Drama, children and social change [PDF]
In this talk I will outline a collection of metaphors in search of an idea that can express theatre’s potential as a form of social pedagogy and socialisation both for young people of school age and also for its other audiences and makers.
Neelands, Jonothan
core