Results 71 to 80 of about 2,904,156 (224)

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Las bibliotecas particulares del siglo XVIII: una fuente para el historiador,

Secuencia, 2003
Este artículo plantea, con base en los inventarios de dos bibliotecas episcopales del siglo XVIII, una serie de problemáticas acerca del estudio de las bibliotecas particulares que abordan tanto las fuentes como la cuestión de la producción y la ...
Laurence Coudart, Cristina Gómez Álvarez   +1 more
doaj   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

Renaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

La biblioteca de Pedro Salinas

Arbor: Ciencia, Pensamiento y Cultura, 2010
La biblioteca personal del poeta Pedro Salinas previa a la Guerra Civil española, ha permanecido prácticamente desconocida hasta el momento para los investigadores y estudiosos de su obra creativa.
Juana María González García
doaj   +1 more source

Obesity and the Politics of Taddeo di Bartolo's Inferno

Renaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

[Tablón de Anuncios Biblioteca AECID]. Adquisiciones: Colaboración entre la Biblioteca Nacional de Kazajistán y la Biblioteca AECID

, 2018
El 29 de noviembre de 2018 se ha firmado el convenio de cooperación entre la Biblioteca Nacional de Kazajistán y la Biblioteca ...
Biblioteca de la AECID
core  

Reading Dürer in Late Sixteenth‐Century Padua: Matteo Macigni (ca. 1510–1582), His Library and the Annotated Institutionum geometricarum (Paris, 1535)

Renaissance Studies, EarlyView.
ABSTRACT This article contributes to the history of material culture and intellectual biography by definitively identifying the Paduan scholar Matteo Macigni (ca. 1510–1582) as the author of the annotations found in a 1535 copy of Albrecht Dürer’s Institutionum geometricarum currently preserved in Vicenza.
Laura Moretti
wiley   +1 more source

[Tablón de Anuncios Biblioteca AECID]. Noticias: Biblioteca Digital AECID en Europeana

, 2015
Los registros de la Biblioteca Digital AECID ya se encuentran en la biblioteca digital europea ...
Biblioteca de la AECID
core  

Senado y servicios de documentación

Revista de las Cortes Generales, 2018
Tras un breve repaso histórico de los trabajos de archiveros y bibliotecarios parlamentarios en la Edad Contemporánea española, se traza la evolución de las acciones de este Cuerpo superior de funcionarios de las Cortes Generales durante los 40 años de ...
Josefa Fuentes García
doaj   +1 more source

A Journey Between Science and the Arts: Templates for the Depiction of the Pineapple (Sixteenth to Eighteenth Centuries)

Renaissance Studies, EarlyView.
ABSTRACT Native to America, the pineapple—Ananas comosus (L.) Merr.—delighted the Europeans who came across it. The fruit was mentioned by the voyagers and missionaries who observed and tasted it in the Americas and, from the 1500s onwards, infused reports, chronicles and natural history treatises with colour and flavour.
Teresa Nobre de Carvalho
wiley   +1 more source