Results 21 to 30 of about 163 (154)

Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison [PDF]

open access: yesIASPM Journal, 2017
Reflecting on the biographical films of Elvis Presley and Jim Morrison in relation to recent eco-critical theory and notions of the Anthropocene, we consider the representation of the rock star in the biopic genre and the ways in which music and other ...
Bridget Alexandra Sutherland, Paul Judge
doaj   +1 more source

Canadian Political Storytelling: Back to a Future?

open access: yesNew Area Studies, 2021
This paper examines English language or bilingual screen narratives (film and television series) dealing with the public sphere produced in Canada since 1960.
Sandford Borins, Beth Herst
doaj   +1 more source

The Secret Life of Secret Agents: Alan Bennett and John Schlesinger’s An Englishman Abroad (1983) and A Question of Attribution (1991)

open access: yesRevue LISA, 2016
Although biopics are still widely held in critical disdain, a number of new stimulating perspectives on the genre have recently emerged. One original approach consists in tackling the biopic as a form of adaptation and an example of intermedial rewriting,
Nicole Cloarec
doaj   +1 more source

"R.A. Kartini" (1982) and "Kartini" (2017); Anguish and silent struggles in the narratives of Indonesian women’s empowerment role model

open access: yesWacana: Journal of the Humanities of Indonesia, 2023
This study compares the portrayal of R.A. Kartini, an Indonesian female national heroine, in the biopics Sjumandjaya’s R.A. Kartini (1982) and Bramantyo’s Kartini (2017).
Indah S. Pratidina
doaj   +1 more source

Quadri di un’esposizione: un’analisi del film Brama di vivere

open access: yesAnnali Online dell'Università di Ferrara. Sezione Lettere, 2023
Starring Kirk Douglas as Vincent Van Gogh, Lust for Life (directed by Vincente Minnelli, 1956) is one of the most celebrated Hollywood biopics focusing on the life of a visual artist. This essay aims to offer further food for thought thanks to a detailed
Alberto Boschi
doaj   +1 more source

Cuando decir Napoleón III significaba decir Hitler. Los biopics de Dieterle y Muni (1935-1939)

open access: yesValenciana, 2017
La productora de cine Warner Brothers se encargó de la creación de tres biopics sobre la vida de Louis Pasteur, Benito Juárez y Emile Zola. Esta trilogía producida durante los años previos de la II Guerra Mundial,periodo en el que se estableció de forma ...
Mauricio Sánchez Menchero
doaj   +1 more source

Constructing a Biopic Screenplay: Fictional Invention in the Biopic with Scant Evidence [PDF]

open access: yes, 2021
<p>As a creative practice research project, this thesis sets out to write a screenplay about Suresh Biswas (1861-1905), a little-known Bengali adventurer who was a wild-life trainer and circus-performer in Europe and later became a Captain in the Brazilian army.
openaire   +1 more source

Entre censure politique et domination masculine : représentations des sportives olympiques dans les biopics chinois (1981-2022)

open access: yesGenre & Histoire
In 2021, concerns about the status of sportswomen in China were once again raised by the case of Peng Shuai, a Chinese tennis player who dared to publicly protest against the alleged sexual assault she suffered at the hands of former Communist leader ...
Siyao Lin
doaj   +1 more source

Do deepfakes, digital replicas and human digital twins justify personality rights?

open access: yesThe Journal of World Intellectual Property, EarlyView.
Abstract Unauthorised deepfakes are deeply problematic, from the spreading of misinformation to non‐consensual pornographic content. This paper asks whether deepfakes, digital replicas and human digital twins justify personality rights. To address this question, it examines the harms that deepfakes can cause through disinformation, demeaning content ...
Hayleigh Bosher
wiley   +1 more source

The Portrayal of Real-Life People in Audiovisual Translation

open access: yesMiędzy Oryginałem a Przekładem, 2022
This is a study on real people, in particular their voices, as an important but so far undervalued factor in audiovisual translation, dubbing in particular.
Irene Ranzato, Patrick Zabalbeascoa
doaj   +1 more source

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