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2018
I was raised in Brooklyn – Bed Stuy, in a house of all genres, in a land budding Hip Hop in every project building, corner video shoot, in the marching bands on the divider on Atlantic avenue. Life for me has always been steeped in the music of breath and pain.
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I was raised in Brooklyn – Bed Stuy, in a house of all genres, in a land budding Hip Hop in every project building, corner video shoot, in the marching bands on the divider on Atlantic avenue. Life for me has always been steeped in the music of breath and pain.
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This chapter explores how white recuperations of the term Bitch perpetuate anti-Blackness and simultaneously make feminism intelligible by entrenching imperialist, white supremacist, capitalist cis-heteropatriarchy. It examines three key examples that explore Bitch performativity: Joreen (Jo Freeman)’s The Bitch Manifesto, the viral video “Bitchy ...
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Chapter 4 turns to the prosthetic memories of disposable bodies that are invisible from the prevailing approach to cloning as asexual reproductive technology, yet haunting the transnational pet-cloning complex. Upon the success of its first commercial dog-cloning project in cooperation with South Korean scientists, the California-based biotech company ...
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