Results 71 to 80 of about 315,062 (216)

Tyler Perry and the Rhetoric of Madea: Contrasting Performances of Perry’s Leading Lady as She Appears on Stage and Screen

Religions, 2019
In this essay, we will explore the variances in Madea’s character and presence on stage and on screen in both productions of Tyler Perry’s Madea Goes to Jail: The Play and Madea Goes to Jail.
Katherine Whitfield, Andre E. Johnson
doaj   +1 more source

Speculative Black Theater History [PDF]

Journal of Civil and Human Rights, 2021
openaire   +1 more source

The Cultural Lives of Californians: Insights from the California Survey of Arts and Cultural Participation [PDF]

, 2015
Over the past two decades, numerous reports indicate that national rates of arts attendance have been declining. This downward trend is reflected in both survey data and in the day-to-day experiences of many nonprofit arts organizations.
Jennifer Novak-Leonard, Michael Reynolds, Ned English, Norman Bradburn   +3 more
core  

The Curse of the Black Valley and the inversion of the formulas used to make audience cry

Gragoatá, 2016
Exploring Aby Warburg’s concept of affective formulas, this article follows the inversion of the old melodramatic forms which appears in the 1988 Rio de Janeiro staging of The Curse of the Black Valley”, text by Caio Fernando Abreu and Luiz Arthur Nunes.
Gustavo Guenzburger
doaj  

Spartan Daily, September 1, 2004 [PDF]

, 2004
Volume 123, Issue 4https://scholarworks.sjsu.edu/spartandaily/10008/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +2 more sources

Spartan Daily, March 19, 1975 [PDF]

, 1975
Volume 64, Issue 27https://scholarworks.sjsu.edu/spartandaily/5960/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +1 more source

Smoke and Mirrors: Internalizing the Magic Lantern Show in \u3cem\u3eVillette\u3c/em\u3e [PDF]

, 2005
With considerable historical background in mind, I would like to examine a number of the stock gothic tropes, including the mysterious nun, the paintings of women, the theater scene, and the fête in Villette as examples of not simply one of last gasps of
Hoeveler, Diane
core   +1 more source

The Line that Divides us:

Revista Brasileira de Estudos da Presença
A common factor among white people is the denial that they are racialized subjects, so that they use white fragility and innocence as strategies to protect and enjoy privilege and racial superiority. By the other hand, decolonial art is made up of a set
Amanda Cunha
doaj  

Boston University Chamber Orchestra, September 27, 2005 [PDF]

, 2005
This is the concert program of the Boston University Chamber Orchestra performance on Tuesday, September 27, 2005 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Symphony No.
School of Music, Boston University
core  

Afrotempos:

Revista Brasileira de Estudos da Presença
This article, which is part of a doctoral research, reflects on some cosmogonic aspects of Exu, a Yoruban orisha, and his relations with the spectacle Mesa Farta (‘Plentiful Table’), by the theater group Pretagô (Porto Alegre-Brazil).
Thiago Pirajira Conceição
doaj