Geoffrey Chaucer’s The Merchant’s Tale, Giovanni Boccaccio’s The Tale of the Enchanted Pear-Tree, and Sir Orfeo Viewed as Eroticized Versions of the Folktales about Supernatural Wives [PDF]
, 2013 Two of the tales mentioned in the title are in many ways typical of the great collections of stories (The Canterbury Tales and Il Decamerone) to which they belong.
Wicher, Andrzej
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BETWEEN PRESTIGE AND DEPRAVITY: OBSERVATIONS ON THE EARLY RECEPTION OF DANTE AND BOCCACCHIO IN BULGARIA (1878 – 1918) [PDF]
Езиков святThe current study focuses on the presence of the Italian classic authors Dante, Petrarch and Boccaccio in the period from the National Liberation to the end of World War I. The reception scope after the National Liberation is actually hard to trace and
Boyka Ilieva
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Reviewers Acknowledgement [PDF]
Mol OncolMolecular Oncology, Volume 19, Issue 2, Page 572-576, February 2025.
europepmc +3 more sources
The Transmission of the \u3cem\u3eSomniale Danielis\u3c/em\u3e, from Latin to Vernacular Italian (Laurenziano Martelli 12 and Riccardiano 859) [PDF]
, 2020 The Somniale Danielis is a dream manual widely circulated in the Middle Ages and the Renaissance. It is structured through dream symbols and their concise explanation.
Cappozzo, Valerio
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Silencing and translation in RNA granules: a tale of sand grains
Frontiers in Molecular Neuroscience, 2014 The transcriptome at the synapse consists of thousands of messengers encoding a plethora of cellular functions, including an important number of receptors and ion channels and associated proteins.
Jerónimo ePimentel +3 more
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Si Griseldis m’était conté : entre attendrissement et enseignement
Studia Romanica Posnaniensia, 2018 My intention is to show in this article the role of emotions in the reception and dissemination of theGriselda story. Petrarch’s affective reactions to Boccaccio’s tale opened the path that many authors would pursue.
Anna Loba
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Boccaccio, el Decamerón y la acuñación de un neologismo: la “novela” en el siglo XV
Anuario de Estudios Medievales, 2017 Se recuperan y analizan en este trabajo las primeras apariciones de la voz “novela” como denominadora de un nuevo modo narrativo. En el siglo XV, tanto la circulación de manuscritos del Decamerón de Boccaccio, como la lectura que muchos hombres de letras
David González Ramírez
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La passione, motore e freno nell’«Elegia di madonna Fiammetta» di Boccaccio
Griseldaonline, 2019 Madonna Fiammetta, the protagonist of the Elegia (homodiegetic) dedicated to her by Boccaccio, announces in the prologue she wants to «tell her cases» («narrare i casi suoi»).
Philippe Guérin
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Carte Romanze, 2022 Riassunto: Il saggio è un contributo alla vexata quaestio sull'origine dell'ottava rima narrativa. Si riflette su importanti spunti di Surdich e su dati noti per ipotizzare un'imitazione del metro del Cantare di Fiorio da parte del Boccaccio, che ...
Beatrice Barbiellini Amidei
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Studia Romanica Posnaniensia, 2018 Boccaccio’s Decameron is, as we know, the supreme achievement of the medieval narratio brevis. The art of speaking and, in general, of the proficient use of words, is what distinguishes the “gentile brigata” of ten young men and women who ...
Maria Maślanka-Soro
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