Results 41 to 50 of about 28,201 (212)
Pop-up Book Illustration Art as Expressive and Artistic Communication Media [PDF]
S. Haryanto, Tri Karyono
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Illustrating the Works of Flann O’Brien: An Interview with Michael O’Shaughnessy
The Parish Review interviews Michael O'Shaughnessy, who in the 1990s illustrated the Flamingo editions of The Third Policeman, The Poor Mouth, The Hard Life, The Dalkey Archive, Myles Away from Dublin, and The Best of Myles, and who graciously ...
Michael O’Shaughnessy
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Translational Functions of Book Illustrations, and What Dickens Has to Do with Them [PDF]
Nilce M. Pereira
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Le montage dans les albums : une esthétique engagée
Four albums will be discussed : Martine petite maman [Martine little mother] by Gilbert Delahaye and Marcel Marlier (Casterman, 1968), Histoire de Julie qui avait une ombre de garçon [The story of Julie the girl with a boy’s shadow] by Christian Bruel ...
Nelly Chabrol Gagne
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The Use of Children's Book Illustrations as Educational Media can Reduce Animal Scarcity
Esty Wulandari Yemima Putri Mentari Sulistya Arini Daryanto
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THE ANALISYS OF NARRATIVE AND SYMBOLIC STRUCTURES IN BOOK GRAPHICS IN THE MOLDOVAN SOVIET SOCIALIST REPUBLIC IN THE PERIOD OF SOCIALIST REALISM (1945-1953) [PDF]
In the process of transition to socialist realism, the fine art of the ‘40s, including graphics, was characterized by documentalism and illustrativism in various thematic approaches to everyday life.
ROCACIUC VICTORIA
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The publication follows the stages of development of the “Art Book” academic discipline as a key to the teaching methodology in “Book, Illustration, Printed Graphics” Department of the National Academy of Art.
Kapka Kaneva
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Surrealismo y Umheimlich como conceptos para una comparación entre literatura y artes plásticas. El caso del diseñador Daniel Gil [PDF]
The article explores book illustration as a privileged field for studying artistic interaction. Itproposes the concept of ‘surrealistic sensibility’, coined by Susan Sontag, and also the Freudian conceptof Umheimlich, as categories to understand how ...
José Manuel Ruiz Martínez
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The illustration of the “knowledge engine” included in early editions of Gulliver’s Travels is an engraving of a sketch from the notebook of Lemuel Gulliver. In other words, it is a purely fictional object.
Johannah Rodgers
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