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Two-period e-commerce platforms operation strategies considering the difference in product quality perception. [PDF]
Xie B, Guo Q, Cheng Y, Niu M.
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Molecular Dynamics Simulation Study of Polyvinylpyrrolidone as a Kinetic Inhibitor for Natural Gas Hydrates under Ultradeepwater Conditions. [PDF]
He Z, Guan J, Wang J, Xu H.
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Impact of China's Accession Protocol on its participation in the WTO dispute settlement mechanism: An analysis of eleven cases involving China's Accession Protocol. [PDF]
Qianyi S.
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Jazz Research Journal, 2022
This article explores Afrofuturist countermemory and alternative history, and the potential of these concepts to be applied to the legacy of Miles Davis’s final fusion concept. Through artistic practice and investigations into the role of such practice in musicological research, Kodwo Eshun’s ‘sonic fictions’ are leveraged as a lens to reclaim Davis’s ...
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This article explores Afrofuturist countermemory and alternative history, and the potential of these concepts to be applied to the legacy of Miles Davis’s final fusion concept. Through artistic practice and investigations into the role of such practice in musicological research, Kodwo Eshun’s ‘sonic fictions’ are leveraged as a lens to reclaim Davis’s ...
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Jazz Research Journal, 2008
As the 1940s turned into the 1950s the popular image of the jazz musician shifted. The patriotic soldier jazzmen and wholesome mass entertainers of the war years were replaced by a new conception of the jazz musician as a radical who stood apart from conventional tastes, a non-conformist, a deviant.
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As the 1940s turned into the 1950s the popular image of the jazz musician shifted. The patriotic soldier jazzmen and wholesome mass entertainers of the war years were replaced by a new conception of the jazz musician as a radical who stood apart from conventional tastes, a non-conformist, a deviant.
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2021
This chapter narrates the radical change in musical tastes and musical revolution of swing to bop, and the challenging positioning of the Nicholases within that musical revolution: the brothers’ insistence on remaining within the swing dance tradition and a musical aesthetic that was aligned with the classic jazz of Duke Ellington.
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This chapter narrates the radical change in musical tastes and musical revolution of swing to bop, and the challenging positioning of the Nicholases within that musical revolution: the brothers’ insistence on remaining within the swing dance tradition and a musical aesthetic that was aligned with the classic jazz of Duke Ellington.
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2000
Abstract “I loved bebop for taking jazz further along. But as hip and as great as it was, there was a period when musicians had kinda ... not totally, but somewhat ... eliminated the blues, you know? They got so sophisticated that it seemed like they were afraid to play the blues, like it was demeaning to be funky.
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Abstract “I loved bebop for taking jazz further along. But as hip and as great as it was, there was a period when musicians had kinda ... not totally, but somewhat ... eliminated the blues, you know? They got so sophisticated that it seemed like they were afraid to play the blues, like it was demeaning to be funky.
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