Results 121 to 130 of about 244,712 (192)

Opera "Boris Godunov" by M. P. Musorgsky: history of creation

Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, 2023
The article deals with the work of Modest Petrovich Mussorgsky and the history of the creation of his most famous opera, “Boris Godunov”. Two existing author's editions and their structural features are named.
Albina Shakirova
semanticscholar   +1 more source

The making of a hero. Pushkin’s problematic comedy Boris Godunov through the prism of Veselovsky’s differentiation of poetic genres

Voprosy Literatury, 2023
Relying on A. Veselovsky’s definition of drama as being centred on a character rather than action, the author reexamines the Aristotelian definition of comedy and uncovers the innovative nature of Pushkin’s comedy. The study aims to demonstrate the close
V. K. Zubareva
semanticscholar   +1 more source

“Boris Godunov” in the Kuban and “Sokolniki on the Dnieper”

Музыкальная академия, 2022
Главной постановкой текущего сезона Краснодарского музыкального театра, входящего в состав Краснодарского творческого объединения «Премьера» имени Л. Г. Гатова, стала опера М. П. Мусоргского «Борис Годунов». Музыкальной основой спектакля явился авторский
Элеонора Васильевна Выбыванец
semanticscholar   +1 more source

History of the First Embassy sent on a Mission upon the Initiative of King Boris Godunov to the Safavid State

The Near East and Georgia
The primary objective of the present work is to highlight the embassy organized by the Muscovite State to Safavid Iran at the beginning of the 17th century.
Kakhaber Demetrashvili
semanticscholar   +1 more source

WHY DID PUSHKIN CHANGE THE FINAL REMARK IN BORIS GODUNOV?

Vremennik Pushkinskoi Komissii
The author of the article focuses on Pushkin’s remark, “The people are silent”, which concludes the tragedy, Boris Godunov. This remark appears in the only published version of Godunov in 1831, but is missing from handwritten versions of the play, where ...
Mark G. Altshuller
semanticscholar   +1 more source

EXTRACTS FROM THE LIVES OF THE SAINTS BY DIMITRI OF ROSTOV AND PUSHKIN’S WORK ON BORIS GODUNOV

Vremennik Pushkinskoi Komissii
This article discusses the connections between the text of Pushkin’s tragedy Boris Godunov and the autographic manuscript PD 709: Menologies for Reading, extracts of which Pushkin made from Dimitri of Rostov’s Lives of the Saints. Some lexical items from
I. Yurieva
semanticscholar   +1 more source

The manifestation of patriotic sentiments in child heroes in opera (a case study of Vanya from M. I. Glinka’s “A Life for the Tsar” and Fyodor from M. P. Mussorgsky’s “Boris Godunov”)

Manuscript
This paper explores the manifestation of patriotic sentiments in young heroes in Russian operatic classics. The study analyzes the characters of Vanya from M. I. Glinka’s “A Life for the Tsar” and Fyodor from M. P. Mussorgsky’s “Boris Godunov”.
Andrey Gennadevich Breus, Olga Viktorovna Dyo   +1 more
semanticscholar   +1 more source

BORIS GODUNOV OF A.S. PUSHKIN EVALUATED BY A.F. VOEYKOV’S RUSSKY INVALID AND LITERARY SUPPLEMENT TO RUSSKY INVALID

Vestnik of Kostroma State University
The article describes the opinions on the tragedy Boris Godunov by A.S. Pushkin, which appeared from 1831 to 1836 in Russky Invalid and Literary Supplements to Russky Invalid by A.F. Voeykov. A frontal, consistent study of critical articles and polemical
D. M. Nikitina
semanticscholar   +1 more source

Boris Godunov

1986
The tale of Boris Godunov-tsar, usurper, tsarecide-dating from the early seventeenth-century Time of Troubles, inspired three major nineteenth-century Russian cultural expressions: in history by Nikolai Karamzin, in drama by Alexander Pushkin, and in opera by Modest Musorgsky.
openaire   +1 more source

Boris Godunov

2023
Victor Alexandrov, Roy Monkcom
openaire   +2 more sources