Results 21 to 30 of about 590 (154)

The reception of M.P. Moussorgski in Europe (II) [PDF]

open access: yesDialogica: Revistă de Studii Culturale și Literatură, 2022
Mussorgsky is named The “Dostoyevsky of Music” by Blaise Cendrars, a French writer with Switherland origins. Passionate about Russian culture, using the pseudonyms of Freddy Sausey, Jack Lee and Diogenes, he left Switzerland at the age of 17, for a long ...
Tatiana PROCOP
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Некоторые размышления о переводах «Бориса Годунова» на норвежский язык
(Some Notes on Norwegian Translations of “Boris Godunov”)

open access: yesPoljarnyj Vestnik: Norwegian Journal of Slavic Studies, 1999
The first translation (1974) was made into nynorsk by Olav Rytter, who has also translated several other works by Pushkin. The author of the other translation (1992), into bokmål, is Erik Bystad, a recognized literary critic and translator of ...
Olga Komarova
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«A Dead man’s wife» (The role and significance of Marina Mnishek’s character (image) in “Boris Godunov” tragedy by Alexander S. Pushkin)

open access: yesЯзык и текст, 2018
The article is dedicated to analysing of the Marina Mnishek’s image in “Boris Godunov” tragedy by Alexander S. Pushkin. It is describing historical as-sessments of Marina Mnishek’s character in folktales and epic poems, Russian Cronicles and ...
B.A. Kurkin
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On the Inventory of Boris Godunov’s Weapon Treasury. The year of 1588 [PDF]

open access: yesИсторическое оружиеведение, 2020
The inventory of boyard Boris Fyodorovitch Godunov’s treasury 1588, was published about one hundred fifty years ago. The part of the document with weapon descriptions is the oldest Russian inventory of the hand-held weapons, armour and other military ...
Aleksandr N. Chubinsky
doaj  

The theme of the people in Pushkin's tragedy "Boris Godunov"

open access: yesЯзык и текст, 2018
The article is dedicated to analysis of the people’s image and its place in the storyline of the tragedy. The authors examine the work by Pushkin with respect to its philosophical and theolog-ical aspects and not to positivist sociological ...
B.A. Kurkin, O.V. Murashkina
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Ancient Russian literary tradition as a root of images of the chronicler and the God’s Fool in A.S. Pushkin’s tragedy “Boris Godunov”

open access: yesНеофилология
INTRODUCTION. The study examines the influence of the ancient Russian literary tradition on the images of the chronicler and the God’s Fool in A.S. Pushkin’s tragedy “Boris Godunov”.
V. G. Shkavrova
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180 Years without Pushkin, but with Pushkin (Genre Experimental Nature of the Poet)

open access: yesИзвестия Южного федерального университета: Филологические науки, 2017
In the interpretation of the role of the national genius, the PushkinDante parallel is made, while their generality is emphasized both in the development of the language system (the unique role of both in the formation of the national literary language ...
Sakmara G. Ilyenko
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Church of the Beheading of John the Baptist in Diakovo as a Prototype of Boris Godunov’s Holy of Holies / Церковь Усекновения Главы Иоанна Предтечи в селе Дьяково как прототип годуновской Святая Святых

open access: yesВизуальная теология, 2022
The Church of the Beheading of John the Baptist in Diakovo is a unique monument that has no analogues in Russian or in world architecture. It is a multi-pillared structure built just a few hundred meters from the Church of the Ascension in Kolomenskoye ...
Sergey Kavtaradze / Сергей Юрьевич Кавтарадзе
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“Following Our Own Path”: Pavel Katenin’s Political Theater

open access: yesThe Russian Review, Volume 83, Issue 2, Page 227-242, April 2024.
Abstract The present article focuses on the tension arising from Pavel Katenin’s aesthetic and literary vision for the reception of Antiquity in Russian mythological drama: his avid support of Classical purism and his denunciation of dramatists, for whom ancient myths served merely as a resource of historical parallels, is challenging to reconcile with
Katherine New
wiley   +1 more source

Caractère national, dimensions musicales et questions sociales dans l’opéra russe au xixe siècle

open access: yesRevue des études slaves, 2013
This article proposes a new approach to the national genre par excellence of Russian music: the historical opera. The Russian composers of the 19th century seemed to be particularly concerned to assert the national character of this type of opera.
Jean‑Marie Jacono
doaj   +1 more source

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