Results 101 to 110 of about 180 (125)

THE CONSTRUCTION OF A CANONICAL SPACE FOR SAMBA AND CHORO WITHIN THE BRAZILIAN SOCIAL IMAGINARY

2020
Micael Herschmann, Felipe Trotta
exaly   +2 more sources

THE BRAZILIAN CHORO: ITS HISTORY AND STRUCTURE

2018
This article examines the Brazilian musical genre known as Choro. Having discussed the history of Brazil, the genre is subsequently discussed within a broader context of Brazilian popular music. Many important aspects of Brazilian music related to Choro are consid- ered: (1) the influence of African culture and European music; (2) the role of classical
openaire   +1 more source

Villa-Lobos' Choros No. 5 - Alma Brasileira (Brazilian Soul)

2014
Villa-Lobos (1887-1959) is one of the most famous Brazilian composers of all time. He is known for composing in a unique and exotic style, especially given his frequent use of Brazilian elements in his music. He is also associated with Brazilian Modernism, most notably for the nationalistic influences in his compositions. Scholars agree that one of his
openaire   +1 more source

Guitar music by Heitor Villa-Lobos: genre traditions of Brazilian choro

Scientific herald of Tchaikovsky National Music Academy of Ukraine
Шоро розглянуто як один із основних геральдичних жанрів музичної культури Бразилії, розповсюджених значною мірою у південно-східних регіонах Ріо-де-Жанейро та СанПаулу. Серед місцевих народно-побутових традицій музикування середини ХХ ст. шоро (стародавній плач) і самба віднесено до гібридного поля жанрів афро-бразильського коріння.
openaire   +3 more sources

Transformative influence of Afro-Brazilian syncopation on European compound melodies in Brazilian Choro music melorhythmical re-organization of interleaved melodic structures in progressive Afro-Brazilian music from the late-19th century

2015
During the second half of the 19th century, Rio de Janeiro’s public life became the setting for spontaneous gatherings by a varied assortment of amateur musicians. After attracting professional musicians from Rio’s popular entertainment circuit, these meetings evolved into creative musical hubs during which songs of the day were instrumentally re ...
openaire   +1 more source

Choro: a social history of a Brazilian popular music

Choice Reviews Online, 2006
openaire   +1 more source

<i>Choro: A Social History of a Brazilian Popular Music</i> (review)

Latin American Music Review, 2008
openaire   +1 more source

Choro, A Social History of a Brazilian Popular Music. By Tamara Elena Livingston-Isenhour and Thomas George Caracas García. Indiana University Press, 2005. 253 pp. ISBN 0-253-34541-3 (pb)

Popular Music, 2007
openaire   +1 more source

Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia, Choro: A Social History of a Brazilian Popular Music (Bloomington, IN: Indiana University Press, 2005), pp. xiii+254, $55.00 hb; $24.95 pb.

Journal of Latin American Studies, 2007
openaire   +1 more source

Choro: A Social History of a Brazilian Popular Music. By Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia. Bloomington: Indiana University Press, 2005. Pp. xiii, 254. Illustrations. Notes. Bibliography. Discography. Index. $55.00 cloth; $24.95 paper.

The Americas, 2006
openaire   +1 more source