Results 1 to 10 of about 229 (122)
BRAZILIAN POPULAR MUSIC, POETRY MINOR?
Travessias, 2008 This essay seeks to verify, through comparative analysis, the relations between Brazilian Popular Music (MPB) dwelling more specifically on Chico Buarques lyrics and poetry.
Luciano Marcos Dias Cavalcanti
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A Discourse on Brazilian Popular Music and US Jazz Education [PDF]
IASPM Journal, 2015 During a 2013 post-doctoral grant funded by the São Paulo Research Foundation-FAPESP to conduct research on North American jazz education, Almir Côrtes spent several hours a week at his host institution, San Francisco State University, with Hafez ...
Almir Côrtes, Hafez Modirzadeh
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TROPICÁLIA: THE PROTEST MOVEMENT OF BRAZILIAN POPULAR MUSIC
Travessias, 2014 This study demonstrates that, where in 60 years Brazil sees an artistic movement called Tropicalismo exponents had as Helio Oiticica, Glauber Rocha and Jose Celso Martinez Correa.
Alberto Carlos de Souza
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Theory of intermediality, In-betweenness, Sound theory, Vincent Moon, Petites Planètes,
Alphaville: Journal of Film and Screen Media, 2020 In this interview, Luiz Tatit explores some specificities of Brazilian popular song which may explain the considerable success of music documentaries in the country.
Luiz Tatit
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Memorias de una Trayectoria Musical: “Nosso amigo Radamés Gnattali”
Grafía, 2014 This article analyses the documentary “Nosso amigo Radamés Gnattali”, directed by Aluísio Didier, as a rescue of a musical practice memory which tries to approach the distance between the popular music and the erudite one in Brazilian music.
Carla Veronica Pronsato
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Revista Avesso: Pensamento, Memória e Sociedade, 2020 This article considers how four different authors remember the cultural movement of the 1960s. More specifically, it delves into the musical landscape in Brazil during the military dictatorship from 1964 to 1968. From Bossa Nova, to Tropicalia, to a so called “musica popular Brasileira (MPB)”, a number of academics have investigated how these musical ...
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Bach in Brazil: An Intertextual Analysis of the Bachianas Brasileiras [PDF]
Musical OfferingsThe twentieth century was the age of globalization and with it, an opportunity for non-European composers to display their skills and their nations’ voices.
Davi da Silva
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Nuevo mundo - Mundos Nuevos, 2015 Brazilian Popular Music, often seen as a symbol of resistance, was invested with different political meanings under the military dictatorship (1964-1985).
Anaïs Fléchet, Marcos Napolitano
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Opus, 2016 This study investigates the tensions in the alliance between popular musicians and intellectuals in relation to the politically engaged art that emerged in the 1960s at the CPC-UNE (Popular Culture Center of the National Student Union) and extending to ...
André Domingues dos Santos
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De l’art engage à la contre-culture : la scène musicale brésilienne (1969-1974)
Nuevo mundo - Mundos Nuevos, 2015 In the early 1970s, while under military dictatorship, Brazil experienced new music developments linked to counter-cultural ideals. Paradoxically, the Brazilian government helped develop the music industry by massively intervening in the economy.
Sheyla Castro Diniz
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