Results 11 to 20 of about 931 (160)
The imaginary of Brazilian popular music [PDF]
During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this period’s imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money ...
Oliven, Ruben George, Cesarino, Leticia
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Música popular brasileira, indústria cultural e identidade
This text shows an overview approach of Brazilian popular music raise, connected with the development of the phonograph industry and its market in Brazil.
José Roberto Zan
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Authorship and co-authorship (parceria) in samba: creative articulations and social boundaries
Since the birth of the Brazilian music recording and broadcast industry, the production of popular music has involved a contradictory and ambiguous process of articulation AND cleavage between "high" and "low" culture.
Cláudia Neiva Matos
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Armoriais Echoes: Marília Santos interviews Antônio Madureira
Antônio Madureira is a Brazilian composer and guitarist. Although he has musical works of the most diverse styles, his name is often associated with the Armorial Movement. This was a movement led by Ariano Suassuna.
Marília Santos
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Documentary shooting and samba: Technology and mediation in Leon Hirszman’s Partido alto
This article addresses the film Partido alto (Leon Hirszman, 1976–1982), a Brazilian music documentary that showcases two sessions of partido-alto, a traditional, improvisation-based genre.
Albert Elduque
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The Brazilian Popular Music (MPB) as a way to learn Portuguese [PDF]
教育実践報告In this short article, I would like to make a few observations about my experience in teaching Luso-Brazilian Culture classes (conversation and writing) to Japanese students at the University of Osaka (Handai), using the History of MPB (Brazilian ...
アキチデゼン, ロジェリオ +1 more
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Background musicians and their (in)visibilities
This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited ...
Suzana Reck Miranda
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Pixinguinha, the Brazilian Popular Music Quintessence
A obra de Pixinguinha é uma das mais representativas para a música popular brasileira do século XX. No âmbito da arte da improvisação contrapontística e da qualidade de composições (duas, mil), é a mais importnte.
Giron, Luís Antônio
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This article examines the trajectory of José Luiz Rodrigues Calazans, AKA Jararaca, – one of the pioneers in the constitution of the sertanejo musical gender – as an element of connection between different cultural scenes, both nationally and ...
Alexandre Fortes, Flavia Ribeiro Veras
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