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Performing the intermedial across Brazilian cinema
Intermediality as a theoretical and methodological perspective champions impurity. Overall, it is concerned with the interaction, contamination, and mixture between different media, breaking down existing barriers that currently exclude hybrid forms of ...
Tamara Courage, Albert Elduque
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The Racist and Antiracist Traditions in 21st Century Brazilian Cinema
The seminal study of race and Brazilian cinema is Robert Stam’s “Tropical Multiculturalism”. Since the publication of this groundbreaking book in 1997, there has been remarkably little effort by Brazilian film scholars or critics to deepen and build upon
Jonathan Warren
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The Performative Force of Bodies: Affective Realism in Contemporary Brazilian Cinema
This paper traces the emergence of a younger generation of Brazilian filmmakers whose works bypass traditional themes in Brazilian cinema such as urban violence and historical revisionism to engage in post-identity politics avoiding narratives of nation,
Alessandra Brandão +1 more
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This article examines the ideological discourse of violence in two influential Brazilian films, Elite Squad (2007) and Bacurau (2019), through a decolonial lens.
Johan von Behr
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In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from ...
Michelle Sales, Bruno Muniz
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Illness and Somatic Consciousness in Contemporary Brazilian Cinema
This article argues that certain Brazilian films produced in the late 2010s and early 2020s utilize illness as a political metaphor to depict the experience of people subalternized by markers of class and race—at times intersecting with gender signifier.
Edson Pereira da Costa Júnior
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Aesthetics by Glauber Rocha and the interfaces with documentary cinema
This study intends to reflect on some aspects of Glauber Rocha's cinematographic aesthetics, looking specifically at the confluences established with the aesthetics of documentary cinema.
Rosselane Liz Giordani
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Helena Ignez, an Incendiary Monster of Brazilian Cinema
Patrícia Mourão de Andrade offers an impassioned portrait of the actress and filmmaker Helena Ignez, a foundational figure in Brazilian filmmaking of the 1960s and 1970s.
Patrícia Mourão de Andrade
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This article addresses how the conception of work is disseminated by the National Institute of Educational Cinema. Recognized as the first official audiovisual body in the country, INCE operated from 1936 to 1966 within the Ministry of Education and ...
Rafael Beverari
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