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Performing the intermedial across Brazilian cinema
Alphaville: Journal of Film and Screen Media, 2020 Intermediality as a theoretical and methodological perspective champions impurity. Overall, it is concerned with the interaction, contamination, and mixture between different media, breaking down existing barriers that currently exclude hybrid forms of ...
Tamara Courage, Albert Elduque
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Journal of Science and Technology of the Arts, 2020 In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from ...
Michelle Sales, Bruno Muniz
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Aesthetics by Glauber Rocha and the interfaces with documentary cinema
Travessias, 2021 This study intends to reflect on some aspects of Glauber Rocha's cinematographic aesthetics, looking specifically at the confluences established with the aesthetics of documentary cinema.
Rosselane Liz Giordani
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Images du Travail, Travail des Images, 2022 This article addresses how the conception of work is disseminated by the National Institute of Educational Cinema. Recognized as the first official audiovisual body in the country, INCE operated from 1936 to 1966 within the Ministry of Education and ...
Rafael Beverari
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Experimenting post-colonial film landscapes: A conversation with Ana Vaz
Journal of Science and Technology of the Arts, 2022 Ana Vaz, born in Brasília, Brazil, in 1986, is one of the most notorious Brazilian experimental filmmakers working today. Her films were shown at festivals and institutions such as: Berlinale Forum Expanded, New York Film Festival, TIFF Wavelengths ...
Barbara Bergamaschi Novaes
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Realistic intermediality and the historiography of the present
Alphaville: Journal of Film and Screen Media, 2020 This article tackles intermedial forms in the film O invasor (The Trespasser, Beto Brant, 2001), as it brings in diverse uses of media, predominantly connected to São Paulo’s hip-hop music and culture.
Marcela Amaral
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Background musicians and their (in)visibilities
Alphaville: Journal of Film and Screen Media, 2020 This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited ...
Suzana Reck Miranda
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Cinema and its intermedial passages to reality: The case of the Árido Movie
Alphaville: Journal of Film and Screen Media, 2020 This article examines the development process of the documentary film Passages: Travelling in and out of Film through Brazilian Geography (Lúcia Nagib and Samuel Paiva, 2019) that emerged from a research project on intermediality and cinema.
Samuel Paiva
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Tiradentes: the film festival and opinions
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 This text is a report of my own experience as curator of short films at the Mostra de Cinema de Tiradentes for the past 5 years. Created in 1988, the festival has a focun in independent, auteur brazilian cinema, and has become one of the larger platforms
Pedro Maciel Guimarães
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The weight of the past: trauma and testimony in Que bom te ver viva [PDF]
, 2015 This article examines representations of trauma in Lúcia Murat’s Que bom te ver viva (How Nice to See You Alive, 1989), a semi-documentary focusing on the experiences of former political militants who, like the director herself, were arrested and ...
Heise, Tatiana
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