Results 11 to 20 of about 590 (256)
Tiradentes: the film festival and opinions
This text is a report of my own experience as curator of short films at the Mostra de Cinema de Tiradentes for the past 5 years. Created in 1988, the festival has a focun in independent, auteur brazilian cinema, and has become one of the larger platforms
Pedro Maciel Guimarães
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The Racist and Antiracist Traditions in 21st Century Brazilian Cinema
The seminal study of race and Brazilian cinema is Robert Stam’s “Tropical Multiculturalism”. Since the publication of this groundbreaking book in 1997, there has been remarkably little effort by Brazilian film scholars or critics to deepen and build upon
Jonathan Warren
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Le droit à l’image : le Cinéma Novo brésilien et l’apparaître
This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s.
Gustavo Chataignier
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The Paradoxical Effect of the Documentary in Walter Salles’s Central do Brasil
This article explores the fusion between the conventions of the documentary and fiction films in Walter Salles’s Central do Brasil (1998), tracing this synergy back to the impact of the documentary and Neorealism on the New Latin American Cinema and ...
Cynthia M. Tompkins
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Cinearte and Adhemar Gonzaga: interamerican relations and film industry
The article approaches the film magazine Cinearte and one of its editors-in-chief, Adhemar Gonzaga. Like many Latin American film critics at the time, Gonzaga circulated in privileged political spaces through the artistic-cultural field, and such access
Isabella Regina Oliveira Goulart
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Regarding Brazil, one may allege that the efforts to institute a history of cinema, to ensure a movie production system or to socially or aesthetically legitimate the country’s cinematographic production have been highly influenced by the concept of ...
Amaranta César
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NO FUTURE: The Colonial Gaze, Tales of Return in Recent Latin American Film
The past is certain, the future an illusion. Contemporary films such as Ivy Maraey: land without evil (Juan Carlos Valdivia 2013), Embrace of the Serpent (Ciro Guerra 2015), The Fever (Maya Da Rin 2020), and Bacurau are border films, from the genre of ...
Miguel L. Rojas-Sotelo
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Cinema, Mathematics and Education: a possible dialogue
This article presents a literature review about cinema, mathematics and education. It aims to expand the possibilities of mathematics education from the inclusion of cinema in the mathematics debate.
Marcella Suarez Di Santo +1 more
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The Performative Force of Bodies: Affective Realism in Contemporary Brazilian Cinema
This paper traces the emergence of a younger generation of Brazilian filmmakers whose works bypass traditional themes in Brazilian cinema such as urban violence and historical revisionism to engage in post-identity politics avoiding narratives of nation,
Alessandra Brandão +1 more
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A Cinema Outside of Itself: Stylistic Terrorism in Brazilian udigrudi
The movement of underground cinema emerges in Latin America in the late sixties and, through radical formal experimentation, it tries to shape a political discourse. These films confront both with author cinema and with militant cinema.
David Oubiña
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