Results 11 to 20 of about 51,186 (350)
Cinema and its intermedial passages to reality: The case of the Árido Movie
Alphaville: Journal of Film and Screen Media, 2020 This article examines the development process of the documentary film Passages: Travelling in and out of Film through Brazilian Geography (Lúcia Nagib and Samuel Paiva, 2019) that emerged from a research project on intermediality and cinema.
Samuel Paiva
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Tiradentes: the film festival and opinions
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 This text is a report of my own experience as curator of short films at the Mostra de Cinema de Tiradentes for the past 5 years. Created in 1988, the festival has a focun in independent, auteur brazilian cinema, and has become one of the larger platforms
Pedro Maciel Guimarães
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The Racist and Antiracist Traditions in 21st Century Brazilian Cinema
Revista Tempos e Espaços em Educação, 2017 The seminal study of race and Brazilian cinema is Robert Stam’s “Tropical Multiculturalism”. Since the publication of this groundbreaking book in 1997, there has been remarkably little effort by Brazilian film scholars or critics to deepen and build upon
Jonathan Warren
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The weight of the past: trauma and testimony in Que bom te ver viva [PDF]
, 2015 This article examines representations of trauma in Lúcia Murat’s Que bom te ver viva (How Nice to See You Alive, 1989), a semi-documentary focusing on the experiences of former political militants who, like the director herself, were arrested and ...
Heise, Tatiana
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Zhang Yimou's 'Blood simple':cannibalism, remaking and translation in world cinema [PDF]
, 2014 Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Evans, Jonathan
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Le droit à l’image : le Cinéma Novo brésilien et l’apparaître
Appareil, 2017 This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s.
Gustavo Chataignier
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Making films in a Brazilian slum with children: a participant observation research [PDF]
, 2019 This article stands for innovative learning opportunities to social inclusion by film education. The theoretical model is a combined structure coming from approaches and projects of social inclusion through film education.
Juliana, Mirna, Pacheco, Raquel
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The Paradoxical Effect of the Documentary in Walter Salles’s Central do Brasil
Studies in 20th & 21st Century Literature, 2009 This article explores the fusion between the conventions of the documentary and fiction films in Walter Salles’s Central do Brasil (1998), tracing this synergy back to the impact of the documentary and Neorealism on the New Latin American Cinema and ...
Cynthia M. Tompkins
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Variations on the Author [PDF]
, 2016 “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship.
Sayad, Cecilia
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Mise au Point, 2010 Regarding Brazil, one may allege that the efforts to institute a history of cinema, to ensure a movie production system or to socially or aesthetically legitimate the country’s cinematographic production have been highly influenced by the concept of ...
Amaranta César
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