Results 1 to 10 of about 590 (256)
Journeys in Argentine and Brazilian Cinema: Road Films in a Global Era, by Natália Pinazza (2014)
Alphaville: Journal of Film and Screen Media, 2015 Natália Pinazza’s Journeys in Argentine and Brazilian Cinema: Road Films in a Global Era navigates a particularly complex and multifaceted terrain that considers several complementary key concepts, such as transnational, national, regional, local, and ...
Jamie Steele
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The CangaÇo in Brazilian Cinema [PDF]
Studies in Media and Communications, 2017 Abstract Cangaço was a form of banditry that occurred in the North-East of Brazil between 1870 and 1940. The movement has inspired many films over the years. This chapter explores the contribution of Cangaço-inspired productions to Brazilian cinema, as well as the particular characteristics of what constitutes the Cangaço genre.
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Brazilian Cinema at the Berlin International Film Festival
Research in Film and History, 2019 Film scholar Marijcke de Valck argues that film festivals “are sites of passage that function as the gateways to cultural legitimation” (2007: 38). More recently, Andreas Kötzing and Caroline Moine have pointed out the political dimensions of these ...
Rocha, Carolina
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Journal of Science and Technology of the Arts, 2020 In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from ...
Michelle Sales, Bruno Muniz
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Aesthetics by Glauber Rocha and the interfaces with documentary cinema
Travessias, 2021 This study intends to reflect on some aspects of Glauber Rocha's cinematographic aesthetics, looking specifically at the confluences established with the aesthetics of documentary cinema.
Rosselane Liz Giordani
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Images du Travail, Travail des Images, 2022 This article addresses how the conception of work is disseminated by the National Institute of Educational Cinema. Recognized as the first official audiovisual body in the country, INCE operated from 1936 to 1966 within the Ministry of Education and ...
Rafael Beverari
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Experimenting post-colonial film landscapes: A conversation with Ana Vaz
Journal of Science and Technology of the Arts, 2022 Ana Vaz, born in Brasília, Brazil, in 1986, is one of the most notorious Brazilian experimental filmmakers working today. Her films were shown at festivals and institutions such as: Berlinale Forum Expanded, New York Film Festival, TIFF Wavelengths ...
Barbara Bergamaschi Novaes
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Realistic intermediality and the historiography of the present
Alphaville: Journal of Film and Screen Media, 2020 This article tackles intermedial forms in the film O invasor (The Trespasser, Beto Brant, 2001), as it brings in diverse uses of media, predominantly connected to São Paulo’s hip-hop music and culture.
Marcela Amaral
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Background musicians and their (in)visibilities
Alphaville: Journal of Film and Screen Media, 2020 This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited ...
Suzana Reck Miranda
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Cinema and its intermedial passages to reality: The case of the Árido Movie
Alphaville: Journal of Film and Screen Media, 2020 This article examines the development process of the documentary film Passages: Travelling in and out of Film through Brazilian Geography (Lúcia Nagib and Samuel Paiva, 2019) that emerged from a research project on intermediality and cinema.
Samuel Paiva
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