Results 11 to 20 of about 1,037,885 (313)
Realistic intermediality and the historiography of the present
Alphaville: Journal of Film and Screen Media, 2020 This article tackles intermedial forms in the film O invasor (The Trespasser, Beto Brant, 2001), as it brings in diverse uses of media, predominantly connected to São Paulo’s hip-hop music and culture.
Marcela Amaral
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Background musicians and their (in)visibilities
Alphaville: Journal of Film and Screen Media, 2020 This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited ...
Suzana Reck Miranda
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Cinema and its intermedial passages to reality: The case of the Árido Movie
Alphaville: Journal of Film and Screen Media, 2020 This article examines the development process of the documentary film Passages: Travelling in and out of Film through Brazilian Geography (Lúcia Nagib and Samuel Paiva, 2019) that emerged from a research project on intermediality and cinema.
Samuel Paiva
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Experimenting post-colonial film landscapes: A conversation with Ana Vaz
Journal of Science and Technology of the Arts, 2022 Ana Vaz, born in Brasília, Brazil, in 1986, is one of the most notorious Brazilian experimental filmmakers working today. Her films were shown at festivals and institutions such as: Berlinale Forum Expanded, New York Film Festival, TIFF Wavelengths ...
Barbara Bergamaschi Novaes
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Tiradentes: the film festival and opinions
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 This text is a report of my own experience as curator of short films at the Mostra de Cinema de Tiradentes for the past 5 years. Created in 1988, the festival has a focun in independent, auteur brazilian cinema, and has become one of the larger platforms
Pedro Maciel Guimarães
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The weight of the past: trauma and testimony in Que bom te ver viva [PDF]
, 2015 This article examines representations of trauma in Lúcia Murat’s Que bom te ver viva (How Nice to See You Alive, 1989), a semi-documentary focusing on the experiences of former political militants who, like the director herself, were arrested and ...
Heise, Tatiana
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Zhang Yimou's 'Blood simple':cannibalism, remaking and translation in world cinema [PDF]
, 2014 Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Evans, Jonathan
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Journeys in Argentine and Brazilian Cinema: Road Films in a Global Era, by Natália Pinazza (2014)
Alphaville: Journal of Film and Screen Media, 2015 Natália Pinazza’s Journeys in Argentine and Brazilian Cinema: Road Films in a Global Era navigates a particularly complex and multifaceted terrain that considers several complementary key concepts, such as transnational, national, regional, local, and ...
Jamie Steele
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Le droit à l’image : le Cinéma Novo brésilien et l’apparaître
Appareil, 2017 This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s.
Gustavo Chataignier
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Making films in a Brazilian slum with children: a participant observation research [PDF]
, 2019 This article stands for innovative learning opportunities to social inclusion by film education. The theoretical model is a combined structure coming from approaches and projects of social inclusion through film education.
Juliana, Mirna, Pacheco, Raquel
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