Results 11 to 20 of about 60,321 (223)
De l’art engage à la contre-culture : la scène musicale brésilienne (1969-1974)
In the early 1970s, while under military dictatorship, Brazil experienced new music developments linked to counter-cultural ideals. Paradoxically, the Brazilian government helped develop the music industry by massively intervening in the economy.
Sheyla Castro Diniz
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Armoriais Echoes: Marília Santos interviews Antônio Madureira
Antônio Madureira is a Brazilian composer and guitarist. Although he has musical works of the most diverse styles, his name is often associated with the Armorial Movement. This was a movement led by Ariano Suassuna.
Marília Santos
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Authorship and co-authorship (parceria) in samba: creative articulations and social boundaries
Since the birth of the Brazilian music recording and broadcast industry, the production of popular music has involved a contradictory and ambiguous process of articulation AND cleavage between "high" and "low" culture.
Cláudia Neiva Matos
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The spatiotemporal representation of dance and music gestures using topological gesture analysis (TGA) [PDF]
SPATIOTEMPORAL GESTURES IN MUSIC AND DANCE HAVE been approached using both qualitative and quantitative research methods. Applying quantitative methods has offered new perspectives but imposed several constraints such as artificial metric systems, weak ...
Leman, Marc, Naveda, Luiz Alberto
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This article considers how four different authors remember the cultural movement of the 1960s. More specifically, it delves into the musical landscape in Brazil during the military dictatorship from 1964 to 1968. From Bossa Nova, to Tropicalia, to a so called “musica popular Brasileira (MPB)”, a number of academics have investigated how these musical ...
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Unearthing Ethnocentrism in Music Research: Latin American Experiences with Ethnomusicology [PDF]
Latin American ...
Santamaria, Carolina
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Didá: Empowering Afro-Brazilian Women through the Arts [PDF]
Latin American ...
Arsenault, Natalie
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Documentary shooting and samba: Technology and mediation in Leon Hirszman’s Partido alto
This article addresses the film Partido alto (Leon Hirszman, 1976–1982), a Brazilian music documentary that showcases two sessions of partido-alto, a traditional, improvisation-based genre.
Albert Elduque
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This article examines the trajectory of José Luiz Rodrigues Calazans, AKA Jararaca, – one of the pioneers in the constitution of the sertanejo musical gender – as an element of connection between different cultural scenes, both nationally and ...
Alexandre Fortes, Flavia Ribeiro Veras
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Background musicians and their (in)visibilities
This article focuses on the career of Brazilian tambourine player Russo do Pandeiro, who participated as a background musician in musical numbers of Brazilian and Hollywood films from the 1930s to the 1950s, yet his work remains mostly uncredited ...
Suzana Reck Miranda
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