Results 51 to 60 of about 893 (167)
Abstract The world of Colombian gaited horses, or cultura caballista (horse‐riding culture), is often linked with uribismo, the right‐wing identity associated with former president Álvaro Uribe Vélez. Ethnographic fieldwork in conflict‐torn Antioquia reveals how horse‐human practices of training, breeding, and competition cultivate orientations toward ...
Gwen Burnyeat
wiley +1 more source
Tem orixá no samba: Clara Nunes e a presença do candomblé e da umbanda na música popular brasileira
Algumas informações sobre as religiões afro-brasileiras (candomblé e umbanda) nos chegam por meios como a indústria fonográfica, o rádio e a televisão.
Rachel Rua Baptista Bakke
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“Caught in a Trap”: Everyday Peace and the Dilemma of Representation in Rio de Janeiro
ABSTRACT Urban security interventions often seek legitimacy by changing how places associated with violence are publicly represented. Less attention has been paid to how grassroots organizations navigate these representational pressures as they pursue everyday peace.
Henry Staples, Sarah Vogelsanger
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Between the two extremes represented by the artists and their production, a number of historical subjects engage theirselves in the aesthetics of the artist’s creations.
Lucas Marcelo Tomaz de Souza
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A Conversation With David Bellhouse
Summary David Richard Bellhouse was born in Winnipeg, Manitoba, on 19 July 1948. He studied actuarial mathematics and statistics at the University of Manitoba (BA, 1970; MA, 1972) and completed his PhD at the University of Waterloo, Ontario, in 1975. After being an Assistant Professor for 1 year at his alma mater, he joined the University of Western ...
Christian Genest
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The present work has as its goal the research on the possible uses of Brazilian Popular Music by teachers of Natural Sciences and Biology, and it was undertook in basic education schools.
Marcelo Diniz Monteiro de Barros +2 more
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O artigo trata das questões interligadas da constituição e desconstituição do campo da música popular brasileira e da implantação de um mercado moderno de música popular no Brasil, com destaque para as décadas de 1970, 1980 e 1990.
Rita de Cássia Lahoz Morelli
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EM LETRAS E RITMOS: VISÕES DE ESCOLA, EDUCAÇÃO E TRABALHO NO SAMBA BRASILEIRO (1930-1950)
RESUMO: Este artigo analisa o modo como questões ligadas ao analfabetismo, escola, educação e experiência foram tratadas em canções compostas por sambistas brasileiros que se autodenominavam “malandros”.
MARIA ANGELA BORGES SALVADORI
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“E onde queres romântico, burguês”
Caetano Veloso is the paradigmatic representative of a tradition in Brazilian popular music: songwriters who, because they rely on metalinguistic procedures, blur the boundary between high art and pop art, and thus require interpretation.
Santuza Cambraia Naves
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The speeches on the process of human aging in its biological and psychosocial aspects seen in daily life through the Media have shown a sufficiently promising field for development of the net of Social Representations that constitute the ...
Adriano R. A. do Nascimento +2 more
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