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2019
This chapter asks the question: Can women filmmakers, cinematic spectators, and televisual viewers speak from their doubly––sociopolitically and gendered––extraterritorialised position? It -historicises the theoretical discourse and film practice of the first phase (1968–78) of the Hong Kong New Wave from the perspectives of women filmmakers and ...
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This chapter asks the question: Can women filmmakers, cinematic spectators, and televisual viewers speak from their doubly––sociopolitically and gendered––extraterritorialised position? It -historicises the theoretical discourse and film practice of the first phase (1968–78) of the Hong Kong New Wave from the perspectives of women filmmakers and ...
openaire +1 more source
Experimental investigation of breaking criteria of deepwater wind waves under strong wind action
Applied Ocean Research, 2005Kyung-Duck Suh, Sang-Ho Oh
exaly
Breaking Waves: Review of Characteristic Relationships
Coastal Engineering Journal, 2013Richard Zytner, Bryson Robertson
exaly
Vertical mixing of oil droplets by breaking waves
Marine Pollution Bulletin, 2002Pavel Tkalich, Eng Soon Chan
exaly