Results 51 to 60 of about 5,654 (171)

Pandemic V-Effect: The Plague as Theatre Criticism

Critical Stages, 2020
With a twisted and long prologue that was ignored by the so-called world leaders for the longest time, on March 11, 2020, the World Health Organisation declared COVID-19 a global pandemic.
Felipe Cervera, Azadeh Sharifi
doaj  

Schlechte Zeit für Mythen Zu Brechts Lyrik des Exils

Cahiers d’Études Germaniques, 2019
Bertolt Brecht used all literary genres to revive old myths, to revise them or to create new myths that should help to grasp his own experience and his understanding of poetry.
Lutz Hagestedt
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Conventions as mediation for creative interaction between contemporary theatre art and applied practices of theatre

Education in the North
This essay explores the potential mutual influences between educational/applied theatre and contemporary theatre in terms of convention, questioning the current disconnection between them in reality.
Shiu Hei Larry Ng
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Hills like white elephants: a drama conventions approach to short-story

Education in the North
The article is a practice-theoretical exploration of a process drama workshop based on Ernest Hemingway’s short-story Hills Like White Elephants (1927).
Stig A. Eriksson
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Rereading the Qurʿān: A Symposium on Mohammad Salama's God's Other Book (3) A Humanism of the Other: Qurʿānic Poetics and Decolonial InterpretationGod's Other Book: The Qurʿān Between History and Ideology. By Mohammad R. Salama, Oakland: University of California Press, 2024. 248 pp. $34.95 (paperback). ISBN: 978‐0‐520‐39184‐0. https://www.luminosoa.org/books/m/10.1525/luminos.202

Peace &Change, EarlyView.
Tom Woerner‐Powell
wiley   +1 more source

Hans Eisler: Companheiro musical de Brecht

Pandaemonium Germanicum: Revista de Estudos Germanísticos, 2000
Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
doaj  

Estremeço e suas relações com o teatro épico

DAPesquisa, 2015
RESUMO: O presente artigo pretende investigar as aproximações entre o espetáculo Estremeço (2012), desenvolvido em Porto Alegre/RS pela Cia. Stravaganza e, suas relações formais e éticas acerca do Teatro épico disseminado por Bertolt Brecht.
Luiz Gustavo Bieberbach Engroff
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“A guerra ia nos seguindo como a nossa própria sombra”: Brecht no exílio dinamarquês

Intellèctus, 2019
O artigo versa sobre o período de 1933-1939 quando o poeta, dramaturgo e crítico teatral Bertolt Brecht exilou-se na Dinarmaca, a partir da ascensão do Partido Nacional Socialista ao poder na Alemanha (1933). Aborda o exílio como um tema historiográfico
Débora El Jaick Andrade
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Questões sobre A medida, de Brecht

Viso, 2012
O texto discute a peça "A medida", de Bertolt Brecht, a partir de uma análise da forma da peça de aprendizagem, bem como de sua polêmica recepção. Apresenta-se o conceito de “refuncionalização” como estratégia político-artística inerente à tal forma de ...
Luciano Gatti
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Zwei Exilgedichte mit einer China-Komponente von Bertolt Brecht

Interkulturelles Forum der deutsch-chinesischen Kommunikation
Im Exil griff Brecht nach anfänglicher Hoffnung auf eine baldige Rückkehr nach Deutschland gewissermaßen zum Trostgedicht, um seine Identität schreibend zu bewahren und das Exil geistig zu bewältigen.
Jing Jing, Li Changke
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