Results 71 to 80 of about 28,328 (160)
Pandemic V-Effect: The Plague as Theatre Criticism
With a twisted and long prologue that was ignored by the so-called world leaders for the longest time, on March 11, 2020, the World Health Organisation declared COVID-19 a global pandemic.
Felipe Cervera, Azadeh Sharifi
doaj
Schlechte Zeit für Mythen Zu Brechts Lyrik des Exils
Bertolt Brecht used all literary genres to revive old myths, to revise them or to create new myths that should help to grasp his own experience and his understanding of poetry.
Lutz Hagestedt
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This essay explores the potential mutual influences between educational/applied theatre and contemporary theatre in terms of convention, questioning the current disconnection between them in reality.
Shiu Hei Larry Ng
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Hills like white elephants: a drama conventions approach to short-story
The article is a practice-theoretical exploration of a process drama workshop based on Ernest Hemingway’s short-story Hills Like White Elephants (1927).
Stig A. Eriksson
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Fluxus cc V TRE Fluxus (Fluxus Newspaper No.1)
Edited by George Brecht and Fluxus Editorial Council, New York Fluxus Edition 4 pages.full ...
Brecht, George, Fluxus
core
Estremeço e suas relações com o teatro épico
RESUMO: O presente artigo pretende investigar as aproximações entre o espetáculo Estremeço (2012), desenvolvido em Porto Alegre/RS pela Cia. Stravaganza e, suas relações formais e éticas acerca do Teatro épico disseminado por Bertolt Brecht.
Luiz Gustavo Bieberbach Engroff
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Peace &Change, Volume 51, Issue 4, Page 272-274, October 2026.
Tom Woerner‐Powell
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“A guerra ia nos seguindo como a nossa própria sombra”: Brecht no exílio dinamarquês
O artigo versa sobre o período de 1933-1939 quando o poeta, dramaturgo e crítico teatral Bertolt Brecht exilou-se na Dinarmaca, a partir da ascensão do Partido Nacional Socialista ao poder na Alemanha (1933). Aborda o exílio como um tema historiográfico
Débora El Jaick Andrade
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Hans Eisler: Companheiro musical de Brecht
Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
doaj
Zwei Exilgedichte mit einer China-Komponente von Bertolt Brecht
Im Exil griff Brecht nach anfänglicher Hoffnung auf eine baldige Rückkehr nach Deutschland gewissermaßen zum Trostgedicht, um seine Identität schreibend zu bewahren und das Exil geistig zu bewältigen.
Jing Jing, Li Changke
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