Results 1 to 10 of about 161 (139)
L’expérience du quotidien dans Buffy the Vampire Slayer
Mise au point, 2021 Everyday life is a notion often considered to be vague. Nevertheless social sciences and humanities conceptualize it in a way which enables it to grasp its different levels and from which the relationship to everyday life in audiovisual fiction can be examined.
Hélène Monnet-Cantagrel
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Buffy the Vampire Slayer: A Superheroine, but not in Serbia
Etnoantropološki problemi / Issues in Ethnology and Anthropology, 2011 This paper discusses the television series Buffy the Vampire Slayer, more specifically, its enormous popularity in the United States, Western Europe and Australia, and the absence of any reaction to the series in Serbia. By comparing themes regarded as important in western societies to the current situation in Serbia, the analysis shows that Buffy the ...
Ljiljana Gavrilović
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Zeitschrift für Fantastikforschung, 2019 This article explores the way in which memory and repetition figures in the TV series Buffy the Vampire Slayer. On the one hand, it focuses at a number of storage media represented in BtVS – technical and non-technical as well as personal ones ...
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Vampire Slaying in Buffy the Vampire Slayer May Result from Disrupted Ion Signaling [PDF]
Slayage, 2020 Buffy the Vampire Slayer (“BtVS”) was an American television show featuring 144 episodes that premiered between 1997- 2003. Early into its seven-season run, it gained a strong cult following and defined itself as an important part of American popular culture (Gross and Altman, 2017; Schwab).
Julian Freedland
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Ilha do Desterro, 2023 The present paper discusses the United-Statesian TV show Buffy the Vampire Slayer reassessing its protagonist, Buffy Summers, in 2022, twenty-five years after its first broadcasting.
Yasmim Pereira Yonekura +1 more
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Mirrors, Windows, and Feminist Threshold Imagery in Grimm (Through Buffy-Tinted Glass) [PDF]
Slayage, 2023 Grimm and Buffy the Vampire Slayer have significant connections not only in terms of fictional content and production but also visual imagery. Threshold imagery develops both Buffy and Juliette, who goes from being a woman behind glass to a witch who ...
Wilcox, Rhonda V.
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Buffy the Vampire Slayer [PDF]
Television & New Media, 2005 From 1997 to 2003, Buffy the Vampire Slayer single-handedly reinvented the high-school genre, splicing it with action, comedy and the supernatural. Series by series, Anne Billson unravels the magic of Buffy, examining the antecedents, influences and the new twist on the age-old story of the struggle between Good and Evil.
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Variety within Bigotry: From Individual to Systemic Monsterism in Buffy the Vampire Slayer [PDF]
Slayage, 2023 Scholars debate and categorize varieties of bigotry in terms of responsibility, whether individual, institutional, structural, systematic, or systemic. Using the distance of fantasy narrative and “monsterism” in specific cases in Buffy the Vampire Slayer,
Rocha, James, Rocha, Mona
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Television vampire fandom and religion
Scripta Instituti Donneriani Aboensis, 2013 Popular culture and fandom provide a setting where people can reflect on the questions of life. A television show defines for many of its fans what it means to be human.
Minja Blom
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The Heroine and the Meme: Participating in Feminist Discourses Online
Current Objectives of Postgraduate American Studies, 2016 This article examines the relationship between feminist participatory culture and online ativism. I argue that Internet users participate in feminist discourses online by creating memes that present popular fictional female heroes such as Katniss ...
Svenja Hohenstein
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