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L’expérience du quotidien dans Buffy the Vampire Slayer
Mise au Point, 2021 Everyday life is a notion often considered to be vague. Nevertheless social sciences and humanities conceptualize it in a way which enables it to grasp its different levels and from which the relationship to everyday life in audiovisual fiction can be ...
Hélène Monnet-Cantagrel
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Buffy the Vampire Slayer [PDF]
Television & New Media, 2005 From 1997 to 2003, Buffy the Vampire Slayer single-handedly reinvented the high-school genre, splicing it with action, comedy and the supernatural. Series by series, Anne Billson unravels the magic of Buffy, examining the antecedents, influences and the new twist on the age-old story of the struggle between Good and Evil.
J. Stratton
semanticscholar +6 more sources
Research, Slay, Repeat: Speicherung und Wiederholung in Buffy the Vampire Slayer
Zeitschrift für Fantastikforschung, 2019 This article explores the way in which memory and repetition figures in the TV series Buffy the Vampire Slayer. On the one hand, it focuses at a number of storage media represented in BtVS – technical and non-technical as well as personal ones ...
Katharina Rein
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Buffy the Vampire Slayer: A Superheroine, but not in Serbia
Etnoantropološki Problemi, 2011 This paper discusses the television series Buffy the Vampire Slayer, more specifically, its enormous popularity in the United States, Western Europe and Australia, and the absence of any reaction to the series in Serbia.
Ljiljana Gavrilović
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Ilha do Desterro, 2023 The present paper discusses the United-Statesian TV show Buffy the Vampire Slayer reassessing its protagonist, Buffy Summers, in 2022, twenty-five years after its first broadcasting.
Yasmim Pereira Yonekura +1 more
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Les épisodes autonomes : écarts formels et narratifs dans The X-Files et Buffy The Vampire Slayer
TV Series, 2019 TV serial genres have evolved since the emergence of the medium, they are becoming more refined, more complex, more hybrid, responding to the growing demands and spectatorial skills of its audience.
Elaine Després
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"How do you like my darkness now?": women, violence, and the good "bad girl" in 'Buffy, the Vampire Slayer [PDF]
, 2017 The representations of violent women in Joss Whedon's 'Buffy the Vampire Slayer' (1997-2003) and the development of this trope compare intriguingly with Charlotte Dacre's early nineteenth-century protagonist in 'Zofloya; or, The Moor' (1806).
Kaley Kramer
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Spreading vampirism: Viral disease models in Buffy the Vampire Slayer
, 2019 Buffy the Vampire Slayer (1997-2003) and its companion series Angel (1999-2004) were American television shows that contrasted the behavior and physicality of human characters from their vampiric counterparts. Throughout both series, humans transform into vampires via a process (“siring”) that can be closely linked to clinical and biological studies ...
Julian Freedland
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Translating Britishness in the French versions of "Buffy the Vampire Slayer" [PDF]
Quaderns de Filologia: Estudis Literaris, 2008 La forma en que los personajes ficticios se crean y se presentan en los textos, sean escritos o audiovisuales, se denomina caracterización. En el presente artículo, me propongo identificar y definir más aún la caracterización en el marco de la Traducción Audiovisual.
Bosseaux, Charlotte
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Vampire Slaying in Buffy the Vampire Slayer May Result from Disrupted Ion Signaling [PDF]
Slayage, 2020 Buffy the Vampire Slayer (“BtVS”) was an American television show featuring 144 episodes that premiered between 1997- 2003. Early into its seven-season run, it gained a strong cult following and defined itself as an important part of American popular culture (Gross and Altman, 2017; Schwab).
Julian Freedland
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