Results 111 to 120 of about 935 (164)
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Ambiguity and Sexuality in Buffy the Vampire Slayer: A Sartrean Analysis
Sexualities, 2003This article presents a phenomenological, Sartrean analysis of sexual relationships as portrayed in the cult TV series Buffy the Vampire Slayer (BtVS). I argue that, through an examination of the differences between vampire and human characters in relationship, we gain an appreciation of the ambiguity of human sexuality as it is experienced.
Vivien Burr
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Cinema and Media Studies, 2020
Buffy the Vampire Slayer is an American television series (1997–2003). Its first incarnation was as a movie (1992) that received mediocre reviews. The film’s writer, Joss Whedon, had the unexpected opportunity to transfer the work to television as part of the fledgling WB network.
Rhonda V. Wilcox
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Buffy the Vampire Slayer is an American television series (1997–2003). Its first incarnation was as a movie (1992) that received mediocre reviews. The film’s writer, Joss Whedon, had the unexpected opportunity to transfer the work to television as part of the fledgling WB network.
Rhonda V. Wilcox
openaire +2 more sources
Vampires, Postmodernity, and Postfeminism:Buffy the Vampire Slayer
Journal of Popular Film and Television, 1999Abstract In this article, I explore the popular series Buffy the Vampire Slayer through the intersections of post-feminism, postmodernity, and the vampire metanarrative. In particular, I discuss the manner in which this television narrative appropriates body rhetorics and narrative agency from traditionally masculinist metanarratives in the horror and ...
A. Owen
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Public Service Motivation in Buffy the Vampire Slayer
Public Voices, 2016In this paper, the author examines public service as depicted in the television series Buffy the Vampire Slayer (BtVS). First, she shows how slaying meets the economist’s definition of a public good, using the BtVS episode “Flooded” (6.04). Second, she discusses public service motivation (PSM) to determine whether or not Buffy, a public servant ...
Sharon H. Mastracci
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Pig’s Blood and the Politics of Choice in Buffy the Vampire Slayer
Palgrave Gothic, 2022Sophie Dungan
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Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer
The Journal of popular film and television, 2022The article studies Dante’s Commedia and its influence on American televisual culture. In addition to exploring how the poem has shaped the audience’s perception of the afterlife, it observes how the television series Buffy the Vampire Slayer (1997–2003)
C. Galati
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Fighting the Forces: What's at Stake in Buffy the Vampire Slayer
The Journal of Popular Culture, 2006S. Ramet
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