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Queer Studies in Media & Popular Culture
Review of: ‘Once More, With Feeling’ (2001), J. Whedon (dir.), Buffy the Vampire Slayer, Season 6 Episode 7 (6 November, USA: UPN)
Silas Maxwell Switzer
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Review of: ‘Once More, With Feeling’ (2001), J. Whedon (dir.), Buffy the Vampire Slayer, Season 6 Episode 7 (6 November, USA: UPN)
Silas Maxwell Switzer
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2011
In meiner Diplomarbeit, die sich mit dem Thema „Vampirismus“ und im Speziellen mit der amerikanischen Fernsehserie “Buffy – The Vampire Slayer“ auseinandersetzt, habe ich versucht, durch Beschreibungen einzelner Szenen und dem wiederholten Aufgreifen von Dialogprotokollen, den LeserInnen einen groben Umriss der Serie zu geben.
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In meiner Diplomarbeit, die sich mit dem Thema „Vampirismus“ und im Speziellen mit der amerikanischen Fernsehserie “Buffy – The Vampire Slayer“ auseinandersetzt, habe ich versucht, durch Beschreibungen einzelner Szenen und dem wiederholten Aufgreifen von Dialogprotokollen, den LeserInnen einen groben Umriss der Serie zu geben.
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Music, Sound, and Silence in "Buffy the Vampire Slayer." (review)
Notes, 2011Music, Sound, and Silence in "Buffy the Vampire Slayer." Edited by Paul Attinello, Janet K. Halfyard, and Vanessa Knights. (Ashgate Popular and Folk Music Series.) Burlington, VT: Ashgate, 2010. [xxiii, 278 p. ISBN 9780754660415 (hardcover), $124.95; ISBN 9780754660422 (paperback), $39.95.] Music examples, illustrations, index. Buffy the Vampire Slayer
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Music, Sound, and Silence in Buffy the Vampire Slayer
2017Contents: Foreword, Keith Negus Preface, Christophe Beck and John C. King Introduction: a /Bay City Rollers. now thata (TM)s musica : music as cultural code in Buffy the Vampire Slayer, Vanessa Knights Part I Constructing Sound: Music, Noise and Silence: Love, death, curses and reverses (in E minor): music, gender, and identity in Buffy the Vampire ...
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“Bay City Rollers. Now That’s Music”: Music as Cultural Code in Buffy the Vampire Slayer 1
, 2017Vanessa Knights
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‘Ah, But Underneath...’ Buffy the Vampire Slayer and Desperate Housewives
2009The pilot episode of Marc Cherry’s immensely successful television show Desperate Housewives (2004–) begins with a literal bang and with an opening sequence which immediately gives the viewer a strong indication of the direction which will be taken by the rest of the first season.1 ‘My name is Mary Alice Young’, our initially unseen narrator tells us ...
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The Clothes Make the Fan: Fashion and Online Fandom when Buffy the Vampire Slayer Goes to eBay
, 2006Josh Stenger
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The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears
Transmediating the Whedonverse(s), 2019Stephanie Graves
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