Results 11 to 20 of about 1,525 (183)
An evaluation of landscape tradition, in Near and Middle East area, could emphasize a profound past of agricultural experience, as well as of landscape and garden art.
Konstantinos Moraitis
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Classicisation or representation? Mimesis in Byzantine pictorial arts as a derivative of style [PDF]
The idea of mimesis in art theory has been neglected by Byzantine scholars. Reasons for this may lie in the fact that the understanding of the term in Byzantium was very complex and that it changed over time.
Grotowski Piotr Ł.
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Byzantine Traits in the Wall Paintings of the Church of Sant’Angelo in Formis
This article is a part of the project that aims at studying the traits of style and images in the works of art created by Byzantine painters or by artists strongly influenced by them in various territories of the Byzantine world at the turn of the 11th ...
Irina Anatolyevna Oretskaia
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Lines and Detours. Byzantium, Nation, and the Canon of Art History in the German-Speaking World The article explores the marginalization of Byzantium within the canon of art history, focusing on the German-speaking tradition.
Armin F. Bergmeier
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“The Greatest Revolution in Art”: Reinterpreting Roger Fry’s Byzantinism
In recent years, there has been a resurgence of interest in formalism throughout the humanities. Within the field of art history in particular, the emergence of a new formalism has been accompanied by a renewed interest in its historical manifestations ...
Sander Oosterom
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The Complex throne chair (in the form of a sofa) in Byzantine art from the fifth century until the seventeenth century - a comparative artistic study in terms of styles, decorations, and the people sitting on it [PDF]
The Complex throne appeared in ancient arts such as ancient Egyptian art in free sculpture and in mural painting art and as a result the enthroned appear and each of them is sitting behind the other as well as it didn’t appear in the Ptolemaic era where ...
Mamdouh Mohamed Mamdouh Osman Elkaradawy
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Although a comparison between Orthodox icons and geographic maps sounds like an extravagant idea, if we set them in a broader context, we will see that they are actually akin.
Rostislava Todorova
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Mosaic Panel on Refrigerium from Sinop Balatlar Church and its Place in Byzantine Iconography
Balatlar Church, whose identity and usage phases can be determined with the excavations that started in 2010, is the only structure in Sinop city history whose purpose of the use is known.
Ozan Hetto +2 more
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The present study examines the use of the mandorla symbol in Byzantine and post-Byzantine iconography of the Dormition. The research aims to outline the reasons for the adoption of the mandorla in the iconographic scheme of the subject as a means of ...
Rostislava Georgieva Todorova
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