Results 41 to 50 of about 1,525 (183)
The plasticisation model of dye diffusion: Part 7
Coloration Technology, EarlyView.Abstract Re‐evaluation using the Williams‐Landel‐Ferry equation, of exhaustion/fixation/adsorption data previously reported for four classes of anionic dye onto three different types of wool substrate, revealed that thermally activated dyeing/desorption behaviour is governed by the thermally regulated structural relaxation times of the respective water‐
Stephen M. Burkinshaw
wiley +1 more source
On the Style of Byzantine Art of the VI–VII Centuries [PDF]
Вестник Свято-Филаретовского института, 2013 In the Early Byzantine art already two main tendencies begin to take shape: creation of an image by old classical means with their little modification, and substitution of the classical artistic language with the stricter one far from antiquity.
Olga Popova
doaj
The Place for Form in Wollheim's Lectures on Formalism and Pictorial Organization
European Journal of Philosophy, EarlyView.Abstract At the time of his death, Richard Wollheim was writing a short book on Formalism and Pictorial Organization. Much of it, but by no means all of it, had been published before (it has come out posthumously in its entirety in late 2025). Here I do two things. First, I have provided a rather detailed exegesis concentrating on the parts of the book
Gary Kemp
wiley +1 more source
Early Medieval Europe, EarlyView.Palermo became the new capital of Sicily after the Aghlabid conquest in 831. The transformation of the city into a capital took many forms, including the production and consumption of pottery. The perspective from ceramic evidence shows that Palermo underwent faster and deeper processes of Islamization than other urban and rural contexts across the ...
Viva Sacco
wiley +1 more source
The Characteristics of Art forms in the Byzantine icons painting
الاكاديمي, 2016 The problem with research in the question of whether art forms in the religious icon Byzantine, heiress docility and tradition craftsman arts civilizations of the above? ...
Salam Adwer Allos
doaj +1 more source
The (trans)national Russian religious imagination in exile: Iulia de Beausobre (1893‐1977)
Modern Theology, EarlyView.Abstract The article offers a case study of how Russian Orthodox who migrated from the Soviet Union after the Bolshevik Revolution of 1917 reimagined their religious identity and their church in a transnational setting. Iulia de Beausobre (1893‐1977) was a Russian aristocrat who fell victim to the Stalinist purges but survived the Soviet prison system ...
Ruth Coates
wiley +1 more source
Cahiers Victoriens et EdouardiensThis article examines the question of transmission in the art of Edward Burne-Jones and precisely in his painting The Hours. The work refers to the art of the past and, more specifically, to the concept of unity revealed by the relational configurations ...
Nadezda Seliverstova
doaj +1 more source
Engineered Identity: Albanian Nationalism and the Limits of Established Nationalism Theories
Nations and Nationalism, EarlyView.ABSTRACT This article analyses the development of Albanian nationalism as a test case for assessing the explanatory reach of three major approaches to the study of nationalism: modernist, constructivist and historical‐comparative. Rather than privileging a single theoretical framework, the article places these approaches in dialogue, treating them as ...
Alda Kushi
wiley +1 more source
Energy Science &Engineering, Volume 14, Issue 8, Page 3674-3696, August 2026.This paper proposes a decentralized peer‐to‐peer federated learning framework for wind turbine bearing remaining useful life prediction, introducing a virtual client paradigm in which statistical health indicators serve as independent feature‐level clients—enabling privacy‐preserving collaborative prognostics from a single physical asset under ...
Jihene Sidhom +2 more
wiley +1 more source
Some Remarks on the Significance of Gold Based on Byzantine Ekphraseis of Works of Art
Studia Ceranea, 2020 The abundance of gilding is considered to be a particularly characteristic feature of Byzantine art. This attribute can be confirmed by even a cursory analysis of works of art.
Magdalena Garnczarska
doaj +1 more source