Results 41 to 50 of about 68,215 (224)
The Issue of Pre‐Islamic Arabic Christian Poetry Revisited
Arabian Archaeology and Epigraphy, EarlyView.ABSTRACT Is only very little Arabic Christian poetry extant from pre‐Islamic times? While distancing myself from Louis Cheikho's (1859–1927) view that almost all pre‐Islamic poets were Christians, I contend in this article that some of them indeed were.
Ilkka Lindstedt
wiley +1 more source
The Shofar and Trumpet in Byzantine Art
Sanat Tarihi Yıllığı, 2022 The subject of this study involves the shofar and trumpet, instruments used both in liturgical and secular ceremonies, and their reflections in religious art. The article addresses these instruments under certain sub-headings.
Hatice Demir
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James, Liz. Light and Color in Byzantine Art [PDF]
, 1998 James\u27 title coupled with the generous number of color illustrations in her text led me to assume that she would survey Byzantine art in more traditional terms of light and color.
Maxwell, Kathleen
core +1 more source
The Church of Divine Wisdom or of Christ – the Incarnate Logos? Dedication of Hagia Sophia in Constantinople in the Light of Byzantine Sources from 5th to 14th century [PDF]
, 2012 The article attempts to answer the question of how the name of the most important Byzantine church of Constantinople, the basilica of Hagia Sophia, built in the mid-4th cent., and then rebuilt during the reign of Justinian the Great was understood and ...
Brzozowska, Zofia Aleksandra
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The nation‐state, non‐Western empires, and the politics of cultural difference
American Journal of Political Science, EarlyView.Abstract While empires have been central to political theory, they almost always refer to Western forms of imperialism and colonialism to which non‐Western societies are subject. But precolonial empires have ruled much of the world for much of known history. Building on recent International Relations (IR) scholarship, this article reconstructs an ideal
Loubna El Amine
wiley +1 more source
Byzantine Pink: Alexis Gritchenko’s Narrative of Constantinople
Sanat Tarihi Yıllığı, 2021 Ukrainian artist Alexis Gritchenko (Oleksa Hryshchenko), who lived in Istanbul between November 1919 and April 1921 during the occupation of the Allied forces, opened the Constantinople Bleu et Rose exhibition in Paris in 1923, where he displayed his ...
Emir Alışık
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Archaeometry, EarlyView.ABSTRACT In 1837, the Tyrolean State Museum Ferdinandeum in Innsbruck, Austria, purchased a Roman bronze statue of a maenad from the 2nd century ce with red garnets as facetted eye inlays found near Brixen, Southern Tyrol. These garnets were investigated using optical microscopy, a portable hand‐held and a stationary micro‐X‐ray fluorescence device, as
H. Albert Gilg +3 more
wiley +1 more source
‘What could have been and never was: the intellectual context of Clement Greenberg’s “Byzantine Parallels” [PDF]
Journal of Art Historiography, 2018 In its sustained analysis of pre-modern art outside the context of an exhibition, ‘Byzantine Parallels’ is an anomalous text in Clement Greenberg’s published oeuvre.
Jessamine Batario
doaj
Sanat Tarihi Yıllığı, 2022 The historiography of Byzantine art history education in Turkiye is a widely overlooked subject, despite a number of studies that have already been carried out.
Verda Bingöl, Zeynep Kuban Tokgöz
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The plasticisation model of dye diffusion: Part 7
Coloration Technology, EarlyView.Abstract Re‐evaluation using the Williams‐Landel‐Ferry equation, of exhaustion/fixation/adsorption data previously reported for four classes of anionic dye onto three different types of wool substrate, revealed that thermally activated dyeing/desorption behaviour is governed by the thermally regulated structural relaxation times of the respective water‐
Stephen M. Burkinshaw
wiley +1 more source