Results 41 to 50 of about 5,546 (207)
The nation‐state, non‐Western empires, and the politics of cultural difference
American Journal of Political Science, EarlyView.Abstract While empires have been central to political theory, they almost always refer to Western forms of imperialism and colonialism to which non‐Western societies are subject. But precolonial empires have ruled much of the world for much of known history. Building on recent International Relations (IR) scholarship, this article reconstructs an ideal
Loubna El Amine
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The Shofar and Trumpet in Byzantine Art
Sanat Tarihi Yıllığı, 2022 The subject of this study involves the shofar and trumpet, instruments used both in liturgical and secular ceremonies, and their reflections in religious art. The article addresses these instruments under certain sub-headings.
Hatice Demir
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Archaeometry, EarlyView.ABSTRACT In 1837, the Tyrolean State Museum Ferdinandeum in Innsbruck, Austria, purchased a Roman bronze statue of a maenad from the 2nd century ce with red garnets as facetted eye inlays found near Brixen, Southern Tyrol. These garnets were investigated using optical microscopy, a portable hand‐held and a stationary micro‐X‐ray fluorescence device, as
H. Albert Gilg +3 more
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Art is on, 2018 Artistic activity which violates urban space is based on the aesthetics of vandalism; it underscores the emergence of the artist as a guerrilla fighter and a defacer, reminiscent of art practices developed during the historical and the post-war avant ...
Konstantina Drakopoulou
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Frontiers in Human DynamicsThis article reconsiders the nature of marketplace exchange in premodern economies by comparing two distinct cases: the monetized system of the Byzantine Empire and the exchange networks of the prehispanic central Andes.
Katerina Ragkou, Christian Mader
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‘What could have been and never was: the intellectual context of Clement Greenberg’s “Byzantine Parallels” [PDF]
Journal of Art Historiography, 2018 In its sustained analysis of pre-modern art outside the context of an exhibition, ‘Byzantine Parallels’ is an anomalous text in Clement Greenberg’s published oeuvre.
Jessamine Batario
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Il Neobizantino nelle arti decorative del secondo Ottocento, tra invenzione e tecniche antiche
MDCCC 1800, 2013 During the 19th century decorative arts, literature, architecture and other fields of cultural production were inspired by previous ages. Byzantium was rediscovered too, and its art was considered a fashionable style in decorative and figurative arts.
Nebbia, Margherita
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The plasticisation model of dye diffusion: Part 7
Coloration Technology, EarlyView.Abstract Re‐evaluation using the Williams‐Landel‐Ferry equation, of exhaustion/fixation/adsorption data previously reported for four classes of anionic dye onto three different types of wool substrate, revealed that thermally activated dyeing/desorption behaviour is governed by the thermally regulated structural relaxation times of the respective water‐
Stephen M. Burkinshaw
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On the Style of Byzantine Art of the VI–VII Centuries [PDF]
Вестник Свято-Филаретовского института, 2013 In the Early Byzantine art already two main tendencies begin to take shape: creation of an image by old classical means with their little modification, and substitution of the classical artistic language with the stricter one far from antiquity.
Olga Popova
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The Place for Form in Wollheim's Lectures on Formalism and Pictorial Organization
European Journal of Philosophy, EarlyView.Abstract At the time of his death, Richard Wollheim was writing a short book on Formalism and Pictorial Organization. Much of it, but by no means all of it, had been published before (it has come out posthumously in its entirety in late 2025). Here I do two things. First, I have provided a rather detailed exegesis concentrating on the parts of the book
Gary Kemp
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