Results 61 to 70 of about 1,525 (183)
The heritage of the Byzantine art in the mosaic decoration of odessa eparchy orthodox temples
The mosaics in Odessa temples by contemporary artists A. S. Charkin, A. O. Shelyuto are considered. The stylistic analysis of artists’ monumental mosaic iconography is carried out in the context of universal Christian art.
Ганна Акрідина
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The Essence of Crisis Decision‐Making: Saving Ravenna During the 2023 Floods
ABSTRACT This article explores decision‐making processes in crisis situations by proposing an interpretive framework grounded in multiple criteria of rationality. Crises, characterized by uncertainty, urgency, and ethical dilemmas, require critical choices that go beyond standard procedures.
Alexandra D'Angelo, Federico Toth
wiley +1 more source
Miejsce ekfrazy w bizantynistycznej historiografii artystycznej
In Byzantium, writing ekphrases was one of the standard literary skills, developed during school instruction. Yet, in Byzantine art history, the analysis of Byzantine ekphrases had long been beyond the scope of researchers who favoured rather the ...
Małgorzata Smorąg Różycka
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Divine kingship and Afro-Byzantine political theology through syncretism: Intersections of faith, power, and art in Nubia and Ethiopia [PDF]
This article examines how Byzantine political theology was transmitted and transformed within African Christian kingdoms of Nubia and Ethiopia particularly through religious art.
Professor Raita Steyn
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This study investigates a Byzantine embroidery fragment found in the Cathedral of St Elisabeth in Košice, Slovakia, which is believed to come from a 15th-century epitrachelion.
Eva Hasalová +2 more
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An Image of Power in Transition: St. George Slaying Diocletian and the War of Images
This essay discusses the mounted image of St. George slaying an emperor within the broader context of how and why early Christian images were transformed and adapted to the early Byzantine religious style. The representational framework of Arthur Danto’s
Stephen Snyder
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The Mounted Angel in Byzantine Art
Angels, incorruptible beings of incorporeal matter, according to the teaching of Christianity are the first and most perfect God’s creatures, members of the Church whose Head is Christ. God’s messengers, guardians and heavenly warriors, or belonging to other ranks which were later defined and classified by theologians as found in the different texts of
openaire +1 more source
THE SACRED RELATIONSHIP BETWEEN ANIMAL SYMBOLISM AND SAINTS ON SARCOPHAGI RELIQUARIES IN SYRIA
Throughout the centuries, animals held great significance in every civilization, particularly during the Byzantine period. Animal motifs permeated Byzantine art, bearing profound and significant associations and meanings.
Dana KHOULI
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These stones still speak: the progress of research on late Roman and early Byzantine mosaic pavements in the Eastern Mediterranean [PDF]
The perennial discovery of the archaeological remains of mosaic floors in the eastern Mediterranean has long made them a subject of investigation by archaeologists, art historians, and historians.
Karen C. Britt
doaj
The Ottoman Empire it has been in constant interaction with non-Muslim communities share to social life in areas continue to live while creating cultural identity.
Ahmet FEYZİ
doaj

