Results 51 to 60 of about 3,358,636 (203)
On the Style of Byzantine Art of the VI–VII Centuries [PDF]
Вестник Свято-Филаретовского института, 2013 In the Early Byzantine art already two main tendencies begin to take shape: creation of an image by old classical means with their little modification, and substitution of the classical artistic language with the stricter one far from antiquity.
Olga Popova
doaj
The (trans)national Russian religious imagination in exile: Iulia de Beausobre (1893‐1977)
Modern Theology, EarlyView.Abstract The article offers a case study of how Russian Orthodox who migrated from the Soviet Union after the Bolshevik Revolution of 1917 reimagined their religious identity and their church in a transnational setting. Iulia de Beausobre (1893‐1977) was a Russian aristocrat who fell victim to the Stalinist purges but survived the Soviet prison system ...
Ruth Coates
wiley +1 more source
Engineered Identity: Albanian Nationalism and the Limits of Established Nationalism Theories
Nations and Nationalism, EarlyView.ABSTRACT This article analyses the development of Albanian nationalism as a test case for assessing the explanatory reach of three major approaches to the study of nationalism: modernist, constructivist and historical‐comparative. Rather than privileging a single theoretical framework, the article places these approaches in dialogue, treating them as ...
Alda Kushi
wiley +1 more source
The Characteristics of Art forms in the Byzantine icons painting
الاكاديمي, 2016 The problem with research in the question of whether art forms in the religious icon Byzantine, heiress docility and tradition craftsman arts civilizations of the above? ...
Salam Adwer Allos
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Archaeometry, Volume 68, Issue 5, Page 898-907, October 2026.ABSTRACT In 1837, the Tyrolean State Museum Ferdinandeum in Innsbruck, Austria, purchased a Roman bronze statue of a maenad from the 2nd century ce with red garnets as facetted eye inlays found near Brixen, Southern Tyrol. These garnets were investigated using optical microscopy, a portable hand‐held and a stationary micro‐X‐ray fluorescence device, as
H. Albert Gilg +3 more
wiley +1 more source
Sue-Anne Wallace - Byzantine art (Art Forum)
, 1995 Art Forum presented by Sue-Anne Wallace. Summary: Dr.
Wallace , S
core +1 more source
Cahiers Victoriens et EdouardiensThis article examines the question of transmission in the art of Edward Burne-Jones and precisely in his painting The Hours. The work refers to the art of the past and, more specifically, to the concept of unity revealed by the relational configurations ...
Nadezda Seliverstova
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International Journal of Urban and Regional Research, Volume 50, Issue 5, Page 1116-1132, September 2026.Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
wiley +1 more source
From Heritage to Innovation: A Review of the Safety and Production of Aminopeptide Seasonings
Comprehensive Reviews in Food Science and Food Safety, Volume 25, Issue 5, September 2026.ABSTRACT Aminopeptide seasonings, produced through proteolytic fermentation or enzymatic hydrolysis, represent a global family of ingredients with a high concentration of umami‐active free amino acids and umami‐ or kokumi‐active peptides derived from protein‐rich substrates.
José María Martín‐Miguélez +4 more
wiley +1 more source
Some Remarks on the Significance of Gold Based on Byzantine Ekphraseis of Works of Art
Studia Ceranea, 2020 The abundance of gilding is considered to be a particularly characteristic feature of Byzantine art. This attribute can be confirmed by even a cursory analysis of works of art.
Magdalena Garnczarska
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