Results 51 to 60 of about 68,215 (224)
Artistic activity which violates urban space is based on the aesthetics of vandalism; it underscores the emergence of the artist as a guerrilla fighter and a defacer, reminiscent of art practices developed during the historical and the post-war avant ...
Konstantina Drakopoulou
doaj
This article reconsiders the nature of marketplace exchange in premodern economies by comparing two distinct cases: the monetized system of the Byzantine Empire and the exchange networks of the prehispanic central Andes.
Katerina Ragkou, Christian Mader
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On the Style of Byzantine Art of the VI–VII Centuries [PDF]
In the Early Byzantine art already two main tendencies begin to take shape: creation of an image by old classical means with their little modification, and substitution of the classical artistic language with the stricter one far from antiquity.
Olga Popova
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Il Neobizantino nelle arti decorative del secondo Ottocento, tra invenzione e tecniche antiche
During the 19th century decorative arts, literature, architecture and other fields of cultural production were inspired by previous ages. Byzantium was rediscovered too, and its art was considered a fashionable style in decorative and figurative arts.
Nebbia, Margherita
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The Place for Form in Wollheim's Lectures on Formalism and Pictorial Organization
Abstract At the time of his death, Richard Wollheim was writing a short book on Formalism and Pictorial Organization. Much of it, but by no means all of it, had been published before (it has come out posthumously in its entirety in late 2025). Here I do two things. First, I have provided a rather detailed exegesis concentrating on the parts of the book
Gary Kemp
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Palamism Does Not Disfigure the Gospel: A Reply to Thomas Weinandy
Abstract In a 2024 article in the IJST, Fr. Thomas Weinandy argues that the theological system of Gregory Palamas is in grave error, especially with respect to its commitment to an objective ontological distinction between God's essence and His energies. In his concluding paragraph Fr.
Travis Dumsday
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The Incarnational Aesthetic of David Brown☆
Abstract The notion of incarnation has historically been a prominent concept for the acceptance of images and the interpretation of art within Christianity. A contemporary proponent of this line of reasoning about the theological potential of art is David Brown, who builds his theology of culture on the doctrine of incarnation. This article presents an
Filip Taufer
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This article examines the question of transmission in the art of Edward Burne-Jones and precisely in his painting The Hours. The work refers to the art of the past and, more specifically, to the concept of unity revealed by the relational configurations ...
Nadezda Seliverstova
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The Characteristics of Art forms in the Byzantine icons painting
The problem with research in the question of whether art forms in the religious icon Byzantine, heiress docility and tradition craftsman arts civilizations of the above? ...
Salam Adwer Allos
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The (trans)national Russian religious imagination in exile: Iulia de Beausobre (1893‐1977)
Abstract The article offers a case study of how Russian Orthodox who migrated from the Soviet Union after the Bolshevik Revolution of 1917 reimagined their religious identity and their church in a transnational setting. Iulia de Beausobre (1893‐1977) was a Russian aristocrat who fell victim to the Stalinist purges but survived the Soviet prison system ...
Ruth Coates
wiley +1 more source

