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Calligraphic Representation on Mandalas:

open access: yesJournal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu), 2010
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Calligraphic packing

Proceedings of Graphics Interface 2007 on - GI '07, 2007
There are many algorithms in non-photorealistic rendering for representing an image as a composition of small objects. In this paper, we focus on the specific case where the objects to be assembled into a composition are letters rather than images or abstract geometric forms. We develop a solution to the "calligraphic packing" problem based on dividing
Jie Xu 0016, Craig S. Kaplan
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The CADAL calligraphic database

Proceedings of the 2011 Workshop on Historical Document Imaging and Processing, 2011
A set of 13,351 digitized calligraphic characters were segmented and labeled, with 12,918 characters extracted from 21 books scanned by the CADAL scanning center located in Zhejiang University's library, and 1443 characters from calligraphy works from web sources.
Xiafen Zhang, George Nagy
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Calligraphic Africa

Philological Encounters, 2016
Is it possible to productively bring together two seemingly exclusive ideas: Africa and philology? This essay presents a case for working at multiple levels and numerous sites in bridging these apparently disparate realms. Indeed, there is already a tradition of philological study about and on the continent that reveal the many different trajectories ...
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Li Rihua's Views on Calligraphic Historiography and Calligraphic Studies

The Korean Society of Calligraphy
Li Rihua (1565–1635) was a renowned literary figure, collector, and connoisseur in the late Ming Dynasty. Throughout his life, he devoted himself to calligraphy and painting, producing a wealth of writings. The late Ming period, in which Li Rihua lived, was characterized by the integration of various intellectual currents, resulting in a highly complex
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