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2019
In late Timurid manuscript painting, the area devoted to the illustration of the story narrated in the manuscript shrank dramatically, while a multitude of non-illustrative forms proliferated. Painting became filled with figures and motifs that bore no apparent relationship to the surrounding text. This chapter argues that visual abundance destabilized
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In late Timurid manuscript painting, the area devoted to the illustration of the story narrated in the manuscript shrank dramatically, while a multitude of non-illustrative forms proliferated. Painting became filled with figures and motifs that bore no apparent relationship to the surrounding text. This chapter argues that visual abundance destabilized
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On Sensor Management of Calligraphic Robot
Proceedings of the 2005 IEEE International Conference on Robotics and Automation, 2006Development of calligraphic robot is motivated by allowing humanoid robot and home service robot to mimic the writing skills of human beings. Similar to human beings, versatile sensors are involved in writing procedure of robot to percept stages of task fulfillment and status of writing-brush.
Kejun Zhang, Jianbo Su
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Calligraphic Shortcuts for Comics Creation
2009The interactive creation of comics on the World Wide Web has become increasingly relevant over the last few years as a way for amateur creators to produce, share and distribute their comics. However, web applications that allow this kind of creation still restrict users interaction by not considering the repetition of previous elements across a comics ...
Ricardo Lopes +3 more
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International Journal of Creative Interfaces and Computer Graphics, 2010
Since 1984, Graphical User Interfaces have typically relied on visual icons that mimic physical objects like the folder, button, and trash can, or canonical geometric elements like menus, and spreadsheet cells. GUI’s leverage our intuition about the physical environment. But the world can be thought of as being made of stuff as well as things.
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Since 1984, Graphical User Interfaces have typically relied on visual icons that mimic physical objects like the folder, button, and trash can, or canonical geometric elements like menus, and spreadsheet cells. GUI’s leverage our intuition about the physical environment. But the world can be thought of as being made of stuff as well as things.
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Calligraphic Magic: Abhidhamma Inscriptions from Sukhodaya
Buddhist Studies Review, 2018The article presents five fifteenth- to sixteenth-century Pali inscriptions from Sukhodaya, Thailand. Three of them are engraved in the Khom alphabet on large square stone slabs, with considerable attention to format; they seem to be unique in Thai epigraphy.
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Graphical Modeling and Calligraphic Interfaces
2007 10th IEEE International Conference on Computer-Aided Design and Computer Graphics, 2007Summary form only given. CAD systems now enable us to manufacture complicated models. However, computers have yet to become usable at the very early stages of product design, where pencil and paper still reign. This is because present-day systems, with their focus on internal representation and dialogue hierarchies, require designers to leap large ...
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High Performance Calligraphics
1985Dyna-MOVIE.BYU combines software and Evans and Sutherland hardware providing a highly interactive program with instantaneous feedback of object transformations; therefore, real time, dynamic calligraphic display capabilities are possible. All transformations are updated continuously by use of three interactive devices: a keyboard with function keys ...
Donald R. Jones +2 more
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[The calligrapher and the doctor].
Tip tarihi arastirmalari = History of medicine studies, 2004Famous Turkish calligrapher Musa Azmi Hamid Aytaç (Am'idi) partially known life story and his family has been summarised by his relatives. The only three tougra like unpublished original calligrafics which has designed by Hamid to his relatives "l) Dr. Fethi Aksu, 2) Feridun Aksu, 3) Fikret Aksu" has been presented in this brief biography.
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