Results 101 to 110 of about 661 (145)

Structures from the Trivium in the 'Cantar de Mio Cid'

The Modern Language Review, 1993
The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material.
Milija N. Pavlovic, James F. Burke
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The Cantar de mio Cid

Bulletin of Spanish Studies, 1989
In this study, Joseph Duggan interprets the Cantar de mio Cid as a work that transmutes moral values first into the economic values of a gift economy, then into genealogical values. Considering the poem's distortions of history more significant than its retention of historical features, Duggan ascribes its depiction of the penurious hero who acquires ...
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Synonym Choice in the "Cantar de Mio Cid"

Hispania, 1974
to believe that there is perhaps more than one poet responsible for the composition of the poem. The differences in usage may be considered the choice of one synonym over another and/or incidence of appearance. In his article, "The Unity of the Poem of the Cid," Hills begins by indicating some common differences.
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Tipos y motivos épicos: los poemas homéricos y el Cantar de mio Cid en paralelo [PDF]

Atayala RÉvue D'Études MÉdiÉvales Romanes, 2015
Se exploran aquí los paralelismos entre el Cantar de mio Cid y los poemas homéricos en dos casos concretos. Primero se analiza el tipo del miles gloriosus aristocrático, representado por Paris en la Ilíada y por los infantes de Carrión y el conde de ...
Alberto Montaner Frutos, Montaner Frutos, Alberto   +1 more
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Chapter Ten. Cantar de Mio Cid: The Insult

1969
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The Art of the Epic Epithets in the Cantar de Mio Cid

Hispanic Review, 1974
IN the Cantar de Mio Cid, epithets serve not only as mnemonic devices, as in the ballads,l or as handy time-killers while the singer thinks of the lines to come,2 but also as poetic elements which obey a definite artistic purpose. This was suggested some years ago by Mrs.
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Notas editoriales al Cantar de Mio Cid

2002
Como homenaje a Fernando González Ollé se realizó esta presentación de notas y correcciones a la edición de FMM en Biblioteca Nueva, 1997, como un modo de ampliar el diálogo y abrirlo al conjunto de participantes en el homenaje, fueran autores o lectores.
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La « géographie épique » du Cantar de Mio Cid

Cahiers d études hispaniques médiévales, 2017
Il est bien connu que l’un des traits qui caracterise l’epique espagnole medievale est sa conception topologique : le Cantar de Mio Cid accorde une attention particuliere au detail geographique des itineraires parcourus par ses personnages, il enregistre tres soigneusement les toponymes, y compris les plus modestes et difficiles a localiser.
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Symbolic Hierarchy in the Lion Episode of the Cantar de Mio Cid

MLN, 1962
ture and for some revision of traditional estimates of their significance as literary characters. Thomas Hart emphasizes that " the opposition between the Infantes and the Cid provides a kind of polarity around which the whole structure of the poem is organized," 1 and he sees the Infantes not as essentially comic figures, ridiculous both in their ...
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Cantar de Mio Cid

Primera edición 1999 [ISBN 84-239-9866-5] Otras ediciones: 2006 [ISBN 84-670-2154-3], 2010 [ISBN 978-84-670-3405-9]
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